People in the news bringing back memories

©Neil Turner/TSL. Hilary Mantel, January 2007.

©Neil Turner/TSL. Hilary Mantel, January 2007.

I seem to have a very strong memory for where, when and why I photographed people in the past. When names come up in the news I often think “ah yeah I shot them at such and such a place”. Hilary Mantel, double Booker Prize winning author has been in the news a lot this week. She gave a lecture where she commented on the Duchess of Cambridge and in comparing her to the late Princess Diana (the Mother-in-Law she never knew) called her “precision-made, machine-made, so different from Diana whose human awkwardness and emotional incontinence showed in her every gesture.” The lecture was long and talked of many things but the reactions against Hilary Mantel’s views were both harsh and often mistaken.

This made me wonder if my view of the situation and the criticism is in any way tainted by having met her, by having admired her books and by actually listening to what she said when I watched the extended highlights of the lecture on YouTube. Of course I cannot really be sure but my memory of meeting Ms Mantel is pretty strong. I can remember her apartment and I can remember her hospitality. I can remember her reluctance to have her picture taken and having spent a lot of time chatting before ever getting a camera out of its bag. I can even remember getting to the location with a lot of time to spare and I can even remember the chat that I had with a chap walking his dog along the street where I parked up and waited in the chilly January air.

Without having much to say, I thought that I’d share my favourite frame from the job. It was shot in colour like the rest of the set but I felt the need to convert it to black and white and submitted two versions to the Picture Editor. I wasn’t surprised when they ran it in colour but I have a very strong memory of being mightily disappointed.

For the many techies who read my blog, it was shot on a Canon EOS1D MkII with a Canon 70-200 f2.8L IS lens at 1/250th of a second at f4.5 on 100 ISO. It was lit with a Lumedyne flash with a shoot-through translucent white umbrella deliberately set up to lose as much of the ambient light as possible.

The value of your online portfolio

martina_cole

Crime writer Martina Cole photographed at a London hotel © Neil Turner/TSL

I’ve had a web presence of some sort or other since 1999. First of all I was just dipping my digital toe in the water with some free web space and free software supplied by AOL when I was with them. That morphed into the original dg28.com website which was all about helping other photographers to understand light and lighting. Like most things we do in life, my site has grown and changed and it has mirrored my work – both have been through many changes to get to where I am now.

January as a freelance is traditionally a tough time – or so I’m told. One of my goals for this month has been to re-evaluate my online presence and to give my website both a freshen-up and to make it more iPad/iPhone/Android friendly. Work, happily, got in the way and so I haven’t got anywhere near finishing what I started. I have given a lot of thought to deciding exactly what the point of an online portfolio is:

  • I know that I haven’t been inundated with work from it
  • I’m sure that my SEO (search engine optimisation) isn’t state of the art
  • My Google rankings by name are great
  • My Google rankings by occupation, specialism, location and other useful factors are not great
  • I know that it gets a lot of visitors because I have all of the relevant analytical data

Who are my visitors? Where do they come from? Why are they visiting my portfolio so much? Would they notice if it wasn’t there? Would my business suffer? Five very important questions to which I don’t know the definitive answers. That got me thinking and it got me going online to see what other people thought about the very same issue. Professional photography is unlike most other businesses – clients that I work with don’t order online and the amount of repeat business is good but not to the extent that we’d like it to be.

From digging around myself, chatting to friends, colleagues and a couple of web professionals and generally canvassing opinion I have come up with a few absolute truths and one or two bits of generally accepted notions by which changes and upgrades to my web presence are going to be governed in future:

  • You have to have a web presence
  • It has to be good
  • It has to show your work off
  • It has to be focused and demonstrate clearly who you are and what you do
  • You have to assume that it is being looked at by the right people
  • Probably fewer than 10% of the viewers are the right people
  • Most of those ‘right people’ are there because they want to look at my work – they haven’t stumbled across my site randomly

So that means if I want to do more than one thing, I have to have more than one website. That means that I need to show pictures – the kind of pictures that I want people to notice, be impressed by and then to commission something along the same or similar lines.

By now I sense that most people who have read this far are saying “tell us something we didn’t know”. I apologise for being un-original but the truth is that there isn’t a magic formula – despite what SEO expert George keeps emailing to say. So where next? Should I invest money in getting a site built for me that is a bit better than I could build myself? What format should the pictures (because they are the most important thing on the site) be in?

In trying to answer those questions I have been looking at a lot of options ranging from template drive sites to slide shows to contact sheets to bespoke (and expensive) “wow” sites. As I get nearer to the end of the revamp process I find myself getting more and more apprehensive about the various options and technologies. So here is the thing… I have been playing with a software package called Wowslider and I have put a single test page together and asking for opinions and feedback about that page. So here it is www.dg28.com/folio/2013-01/ and I’d be very interested to hear opinions. I know this one thing for sure… what worked last year is probably very different from what will work next year and so January 2014 will probably see me going through this very process again. See you in twelve months time!

Archive photo: Private investigator. July 1989

©Neil Turner/Insight. July 1989. London

Back in 1989 I was sent to accompany a reporter to do an interview with a private investigator. He was an ex-Metropolitan Policeman who had a very good reputation and track record in finding runaway children. He was possibly the severest looking person I had ever met and his penchant for big fat cigars did wonders for his image. The truth is that he was actually a very caring man and both the reporter and I liked him a lot.

When I did a quick “Google” for the man I found that he had given another interview to the newspaper ten years later and that he was still as forthright as he had been. I would imagine that he has since retired but I still look very fondly at this picture and remember it’s place in one of my old portfolios.

This was shot using ambient light at his office in Southwark. I was probably using a Nikon FM2 with a 180mm f2.8 Nikkor which I had at the time and the film is Kodak Tri-X. This was scanned from a fibre-based print which was printed full frame with the rebate showing.

Folio photo #13: Michael Rosen, London, 2004

©Neil Turner/TSL. May 2004, London

Michael Rosen is a poet, author, broadcaster and all round brilliant bloke. I spent a good hour shooting a whole range of pictures of him at a park near his home in East London. I have photographed him about five times in total and it is always a joy to spend time with him. I have also been interviewed by him for his BBC Radio 4 programme about words and etymology. We did a special about photographer slang. This set of pictures is ripe for a future “contact sheet” too.

Geek moment: Canon EOS1D with Canon 70-200 f2.8L IS lens.

Folio photo #11: Sir Paul Stephenson, February 2009

Sir Paul Stephenson at New Scotland Yard. ©Neil Turner, February 2009

This portrait was made when Sir Paul Stephenson had been in post as the Commissioner of The Metropolitan Police for less than two hours. He had been acting Commissioner but this was taken when he was actually given the job. This frame was right at the end of the session where I had already shot quite a wide variety of pictures in the time allotted. Having packed 90% of my gear away I was told that I still had a couple of minutes and so I did this picture with a press officer holding a Canon Speedlite off to my left with the head zoomed in to create this pool of light effect. Sir Paul has now left the post but this picture is staying in my folio. Shot using a Canon EOS5D MkII with a Canon 24-70 f2.8L lens and a single 580exII flash triggered by a Canon ST-E2 transmitter.

Folio photo #10: Eton College Choir, March 2004

©Neil Turner/TSL, March 2004

©Neil Turner/TSL, March 2004

Choristers leaving the College Chapel after early morning prayers at Eton College, Berkshire. The famous public school is offering junior music scholarships in an attempt to attract bright and musically gifted boys to the school. The blur was used in this case to anonymise the pupils. The camera was sat on the ground, propped up with a the lens hood because I didn’t have a tripod and wanted the motion blur. The lens was a Canon 16-35 f2.8L and the camera was an EOS1D.

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