A few weeks ago I was on a simple PR job alongside a small video crew and another photographer. Like most jobs we talked about what we needed, let the video team go first and then shot our pictures. As the day progressed the pattern was repeated until just after lunch the other photographer ran out of power for his camera. He was using a single Canon EOS5D MkIII and I was shooting with two EOS5D MkIVs so we had the same type of battery and I offered to lend him one of my spares. When asked how many spares I had I said that I had four in my camera bag and another four in the car along with a battery charger that would run in the car or on mains should I get desperate. He was amazed that one photographer could own so many and I was equally amazed that anyone doing this for a living wouldn’t. Since then I have been asking around and it turns out that I am quite unusual. (more…)
Last month my friend and colleague Andrew Wiard attended the annual IPTC (International Press and Telecommunications Council) Metadata Conference in Paris on behalf of The British Press Photographers’ Association. He came back with one of the most sensible ideas that I have ever heard for getting all photographers to add their basic information to all of their pictures – The Four Cs.(more…)
I have been wanting to get a new monitor for a wile now. I waited for a few months to see if the new professional monitor that Apple were planning to release was going to be any good. They finally put flesh on the bones of the rumours this week and, I have to say, the monitor looks like it will be great. Great but at a very high price, great but not for a few months yet and great but it will be too big for my desk at home. I have had lots of monitors over the years and I have tried many more whilst installing them for friends and colleagues and so my decision to go with the LG Ultrafine 5K will probably surprise quite a few people.
The days when everything we did was aimed at print are gone. We have to produce images for a very wide range of uses these days and so I decided to go with a monitor that has excellent colour, brilliant flexibility and a simple (very Mac friendly) interface. This LG fits all of those requirements with ease. When these monitors first appeared in the Apple Store there were a lot of negative comments and I was pretty dismissive of them myself when I saw one. Over time I have grown to like them and now that Apple’s own professional monitor cannot tick my boxes I decided to place my order for the LG. (more…)
Slowly but surely application developers are replacing their 32 bit versions for Apple OSX with 64 bit ones. As things stand there are only two bits of software that I use on a very regular basis that are still only available in 32 bit and the most important (and dare I say “most exciting”) of those, Photo Mechanic, gets an upgrade later this month. It has been a while coming, and I have mentioned it here on this blog once or twice already, when the next iteration of OSX is installed it stops us being able to use 32 bits apps altogether. Because I have the luxury of having three Macs I always have one of them running the latest (or even beta) versions of everything. That way I can satisfy my curiosity without risking my production machines with untested or insufficiently tested software. (more…)
Like most photographers my workflow has developed over the years and there are some bits of it that are more to do with convenience and habit than they are to do with efficiency. Cataloguing my archive is definitely something that I haven’t given enough thought to. Well that’s not entirely true; every time I look at Lightroom one of the things that attracts me to it is the cataloguing function that it brings with it. The idea of having an application that does so much and that is effectively free (as I subscribe to Photoshop CC anyway) is a good one but every time I have given it a go, I have decided that it isn’t as convenient at Media Pro as a catalogue. I have had Media Pro in its various forms for a very long time now and it has served me well. Phase One’s decision to stop supporting it has made me look around for an alternative.
Being a long-time fan of Photo Mechanic I have been holding out and waiting for them to bring out a new version of the application that forms the core of my workflow with a cataloguing function. Camera Bits have been saying for years that “it is coming” but I have decided to look around for other options.
A few months ago I was reading a thread on a Facebook photographers’ group that mentioned NeoFinder. I thought to myself “how come I have never heard of it?” A quick search on the web brought up their site and I realised that this was a newer name for the old CD Finder application that I tried and quite liked half a dozen years or more ago. They offer a free trial and I had some time on my hands and so I downloaded and installed it. I made a quick catalogue from about 20,000 old images and I was shocked by how easy it was to use and how good the searches it allowed were. The question popped into my head “why keep trying to make Media Pro work when this is available?” All of my pictures have their metadata intact and I have tried hard over the years to get my captions and keywords as good as I can make them. Moving from Media Pro to NeoFinder was a doddle. The developers even offer a “sidegrade” discount for people making this transition. (more…)
Sometimes I post blogs which describe how I do things and others are intended to be conversation starters and thought promoters. This one falls directly into both camps but it was originally written to start discussions.
How we deliver images to our clients is a subject that photographers can debate until the cows come home or until the technology changes and the debate has to start all over again. For the kind of work that I do most of the time (editorial, PR and corporate) there are a huge number of compromises to be made – most of which are dictated by a small number of factors:
- Does the client have a digital asset management system?
- Will the client want to do anything to the pictures before sending them out?
- Who are the end users and what will they want?
Once you start to gather the answers to these questions you can start to discount a lot of options that, as photographers, we would like to see. Ninety-nine percent of the pictures that I deliver are in JPEG format. It isn’t the best format for quality but it is almost universally recognised and it offers the ability to compress the files. It makes sense to us to save our images at the highest quality available and to deliver the pictures in a way that allows for that quality to be maintained but a surprising number of clients simply don’t want or can’t handle that. A modern DSLR with a 24 megapixel chip produces very large files – even as JPEGs; Too large to safely email. Too large for them to be stored easily unless the client has a decent server or at least a method of storing (and retrieving) a lot of data. (more…)
On January 22nd in London I’m going to be running a workshop for photographers who want to expand their knowledge of the various options for speeding up the IPTC captioning part of their workflow. We will be drilling right down into autocomplete, code replacements and variables and even using more than one of them at the same time.
Most of us use the techniques that we know and tend to keep using them until we are persuaded to try something new. This is an opportunity to come and find out what I know and see if you can improve your own workflow at the same time.
If you are interested, the booking is open through Eventbrite and the standard price is just £25.00 with a £15.00 concessionary price for members of The BPPA.