When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)
It is generally accepted in the world of information technology that there are only two types of hard drive; those that have failed and those that haven’t failed yet.
Evidently that is true but as part of my COVID-19 tidying-up, sorting-out and archiving I have dragged out my plastic box full of “failed” hard drives (some of which date back over twelve years) to see if there’s anything that I can drag off of any of them that I don’t have elsewhere. I didn’t think that there would be because I have been almost anal in my backing-up and backing-up the back-ups for many years now.
I’ve powered them up and connected them to a couple of different Macs and a PC to see what there is – if anything there. Of the old 3.5” drives only one out of nine actually mounted and was accessible but that was a bare drive that I had put into a housing as part of an experiment to see if that was actually a good way to go. It turns out that it is – or at least it would be if USB2 wasn’t so slow. I can stick that bare drive into a faster housing but there’s no useful data on it that I don’t have in at least three other places. (more…)
I’m pretty sure that everyone is fed up of hearing that work has dried up, incomes have suffered and how frustrating it is being a creative at the moment. I’d like to say that the work has started to flood in again but that wouldn’t be true. Happily a couple of clients have picked up the phone and booked some work and so I thought that I’d show one of the most recent bits of imperfect portraiture and talk a little bit about it.
The young man featured in this set of portraits is a Physiotherapy student in the final year of his degree and I was asked to go and shoot a (socially distanced and safe) portrait of him to go with a piece about Black History Month to accompany an article about people in the professions and how they have experienced racism and discrimination over the years. There has been an awful lot said and written about whether this kind of work should be shot by BAME photographers and I have an open mind about the subject but I felt that I’d do a good job and so I went along to meet him and we walked to a park very near where he lives in Hampshire and where he had been exercising whilst his gym was closed. (more…)
My workflow has revolved around Photo Mechanic and Adobe Camera RAW for a lot of years now and, bit by bit, it has evolved along with those two key applications to become a slick and well-ordered professional process. Adobe have posted regular updates to their RAW converter pretty regularly and those updates have almost always been logical and very welcome. Occasionally they have made quite big changes and I have welcomed pretty much everything they’ve done. Until now.
The latest version, 12.3 wasn’t flagged-up in advance as being a major change and so I (stupidly) hit OK on the update without giving it too much thought. I was more than a little surprised when I opened my first set of RAW files to edit them because what I was seeing were a whole raft of changes that were, in my opinion, not needed and/or not wanted. (more…)
Interview portrait of Lady Helen Brook, founder of the Brook Advisory Centres which gave advice to young women about contraception starting in the in the 1960s, aged 85 at her home in north-west London. 05 May 1993 Photo: Neil Turner
Here we are in day sixty-something of the UK Coronavirus lockdown and I’m still ploughing through my very old work and trying to knock it into a usable archive. There are a number of stages to the process and stage one has been to make a detailed catalogue of somewhere approaching three thousand rolls of negatives from dates on the negative sleeves married up with my old (Filofax) diaries and a few memories kicking around in my head. Stage one is now pretty much finished. There are a few gaps where I cannot work out the exact details of when and where pictures were taken and there are a lot of sheets of negatives missing where the films were processed in newspaper darkrooms and I never got them back.
What I have done as a first step is to create a spreadsheet with columns for the film number, date shot, client who commissioned the job or if it was a self-funded project, a generic caption for the whole sheet of negatives, specific frames where applicable and the digital filename range of files created. From there I can import any or all of that data into the IPTC metadata once I get to the captioning of those images. There will be some rolls of film that will never be touched and there are others which will be given a lot of attention. (more…)
I have lost count of the number of times I have agreed the details of an assignment with a client only to find out that they want to add a few “little extras” on the day of the shoot. Sometimes it is a job where we agreed to do a dozen headshots only to find out that they’ve added another six or seven. It can be a school prospectus shoot which was meant to end with the school day where, over a cup of coffee, they casually add an after-school club that doesn’t start until after you were supposed to be off-site. In the most extreme case I can remember it was to do half of the job in central London and the rest of it a two-hour drive away on the outskirts of Coventry.
The military term “mission creep” sort of covers this except that most definitions use the word “unintentionally” whereas this kind of “job expansion” is pretty often entirely intentional. How you handle this regular occurrence says a lot about you as a photographer and can define your relationship with that client for years to come. What might seem as a harmless addition to the brief can leave you with extra work, less time to shoot parts of the original brief and can get you into a row with the client.
For me the worst part of mission creep is the almost inevitable additional time that will have to be spent in post production. It stands to reason that even if you can shoot extra pictures in the time given for the job there will be a greater number of images to be sorted, captioned, cropped and toned. The client almost always ends up getting what they perceive as more pictures for the same fee. (more…)