When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)
Over the last few months I have been devoting an awful lot of my time to building up an archive of my professional work from when I left college in 1986. There are plenty of gaps and there have been lots of surprises – images and commissions that I had long forgotten and it occurred to me that my Instagram feed was looking a bit sorry for itself and so I started to add portraits that had something of a back story. That was a couple of weeks ago and there will be photographs on that feed that regular readers of this blog will recognise but, equally, there will be some very unfamiliar portraits that haven’t seen the light of day in many, many years. (more…)
I have lost count of the number of times I have agreed the details of an assignment with a client only to find out that they want to add a few “little extras” on the day of the shoot. Sometimes it is a job where we agreed to do a dozen headshots only to find out that they’ve added another six or seven. It can be a school prospectus shoot which was meant to end with the school day where, over a cup of coffee, they casually add an after-school club that doesn’t start until after you were supposed to be off-site. In the most extreme case I can remember it was to do half of the job in central London and the rest of it a two-hour drive away on the outskirts of Coventry.
The military term “mission creep” sort of covers this except that most definitions use the word “unintentionally” whereas this kind of “job expansion” is pretty often entirely intentional. How you handle this regular occurrence says a lot about you as a photographer and can define your relationship with that client for years to come. What might seem as a harmless addition to the brief can leave you with extra work, less time to shoot parts of the original brief and can get you into a row with the client.
For me the worst part of mission creep is the almost inevitable additional time that will have to be spent in post production. It stands to reason that even if you can shoot extra pictures in the time given for the job there will be a greater number of images to be sorted, captioned, cropped and toned. The client almost always ends up getting what they perceive as more pictures for the same fee. (more…)