commission

Do you do corporate head shots?

headshots_header

I had a phone call call this morning from a potential client who had found me via a web search. That doesn’t happen very often and when it does the calls are normally from people trying to sell me something rather than commission me to do some work for them. The very pleasant lady who had called asked me if I did ‘corporate head shots’ and when I replied that I do and that I have done lots of them over the years she asked why there were none on my website. Wow… she’s correct. There are no easy to find samples of one of the most basic and important parts of my professional work on any of my folio sites.

During the call I promised to stick fifty varied images into a gallery and send her the link. I also explained that head shots weren’t the sole preserve of the corporate world and that some other sectors used them well and that the gallery that I’d prepare would have teachers and actors and other professionals too.

The way that I like to approach head shots is simple: concentrate on the person, make sure that the light on them is as good as it can be and have a sympathetic background. Where sets of pictures need to work together I want to discuss that with the client, their designers and anyone else who needs to have input. I often supply white backgrounds and sometimes I add a coloured light to them.

I love a good out-of-focus office, bookshelf, tree or cityscape and I’m not averse to a jaunty angle where it works. Colour works well and black and white can be very effective too – head shots is a wide ranging topic. They can be as simple as nice passport pictures and they can be half length – potential clients need samples – I completely get it and I have done just that… Here’s the gallery

Another anniversary

© Neil Turner 11/09/2008 The Petchey Academy in Hackney, London, E8 opened to pupils in September 2007.

© Neil Turner 11/09/2008. The Petchey Academy in Hackney, London.

The eleventh of September will always be remembered for the tragic events in New York in 2001 but it also has another, altogether more positive, place in my calendar. Today is the seventh anniversary of my first commissioned job as a freelance photographer having spent fourteen and a half years in a staff job. In those fourteen and a half years I had shot assignments in thousands of schools and it was somewhat ironic that my first freelance outing came from a Picture Editor with whom I had previously worked and was back in a London school. So much was exactly the same – only the end user of the pictures was different. It wasn’t even an educational publication, it was a specialist magazine for facilities managers.

It should have felt like the kind of job that I’d been doing for so many years. I was using the same cameras that I had been using for four years and the same lights that I’d had for at least eight years. I even arrived in the same car that I’d been driving for the previous couple of years but I was nervous in a way that I hadn’t been for a very long time. It didn’t help that I had been on ‘gardening leave’ for a month by then and so I had actually just gone through the longest period without shooting a job since I had left college twenty-two years previously.

The brief was to get pictures of the school, it’s facilities manager and his team. I like to think that I always go beyond the brief where I can and on this job that involved lugging my lighting kit onto the school roof to shoot a portrait as well as waiting for ages for people to walk through my carefully set up building shots.

© Neil Turner 11/09/2008 The Petchey Academy Facilities Manager Alan Gilbert MBIFM.

© Neil Turner 11/09/2008. The Petchey Academy Facilities Manager Alan Gilbert MBIFM.

Everything went well and I shot some nice pictures. The magazine used them very well as a cover and across five pages inside and, best of all, the publisher started to give me a sizeable amount of work over the next couple of years. Most importantly – I was off and running.

I find it remarkable that all of that was seven years ago. A lot of water has passed under a lot of bridges in the meantime and I have experienced those same nerves on more than a few occasions as I try new things, work for new people and take very different sorts of pictures.

Thank you to those friends and colleagues who helped kick-start my second freelance career. I’m still here and I’m still loving taking pictures.

© Neil Turner 11/09/2008. Facilities Manager Alan Gilbert MBIFM whose deputy is his brother Les Gilbert.

© Neil Turner 11/09/2008. Facilities Manager Alan Gilbert MBIFM whose deputy is his brother Les Gilbert.

Technical stuff: Canon EOS1D MkII cameras with Canon EF 16-35 f2.8L, 24-70 f2.8L and 70-200 f2.8L lenses. Lighting Lumedyne Signature Series 200 w/s pack and head.