It concerns a set of portraits that I shot of a gentleman called Inderjit Seehra that I shot way back in December 2008 for a business magazine. I like to post contact sheets on here and go into the back story of the pictures and frames from this set have been in and out of my portfolio since I shot them. I hadn’t selected this job as one to blog about until earlier this week when I got an email from a young man studying for a degree in photography who had been directed to my website by one of his lecturers. At his request I’m not going to name him but I do have his permission mention him here. The ethnicity of the student photographer is important to the story – he is British Asian and all four of his grandparents moved to the UK in the 1950s and 1960s. All four of them were born in India. What makes this more relevant is that a sub-committee of The British Press Photographers’ Association‘s Board are looking at what our industry can do anything to improve the career chances of BAME (Black, Asian and Minority Ethnic) photographers. (more…)
A little over three and a half years ago I made a video showing users how to do a simple set-up to transmit images directly from the Canon EOS 5D MkIV camera using the built-in FTP feature. Recently a chap who saw that video asked if I could do the same with the EOS R5. At that time I didn’t have access to an R5 so I made a note to get around to it ‘one day’.
Last week I needed to get my hands on one to make sure that it was able to transmit into a server that some of the photographers that I work with use. Thanks to Canon UK and CPS (Canon Professional Services) I have had the camera for a few days, ironed out any issues we had and so I thought that I’d go ahead and make a quick walk-through tutorial and comparison video.
My project to get my websites secure has finally come to an end. None of them now show the “not secure” warning as they all have the correct certificates and https addresses. You’ll notice that I used the plural websites. That’s because I have ended up with quite a few domains and three sites in particular that represent me and my business. It’s a long and complicated story but I have found myself in this position and I had to make a decision about consolidating them into one and have the two “redundant” domains point to the active one or I could just tweak them all, give them enough design similarities to make them work as seamlessly as possible and end up with sites that are good at the job assigned to them. (more…)
Like a lot of my colleagues I have spent time during the COVID-19 lockdowns going through and doing those little jobs from our digital lives that we had been meaning to do. Inevitably, sorting one thing out raises a new problem and so on, and so on until you have come around in what feels like a full circle.
In between the jobs that I meant to do I received an email from a good client of mine suggesting that I should make my original dg28.com website secure. I will explain more about this very soon because there’s a lesson in this for a lot of us. It turns out that getting the right kind of digital certification to make an old-fashioned site written in HTML code is somewhere between really tricky and impossible and so I chose to move it over to WordPress and change my hosting package. The knock-on effect was that my original technique posts from May 2000 to July 2008 became invisible and had to be moved too. (more…)
When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)
The Elf on The Shelf or the Naughty Elf had a big year…
As we reach the end of the year that very few will remember with even the smallest degree of fondness I wanted to just compose a note to thank everyone who has read any of my posts, got in touch with me or even been one of the tiny few who have put work my way. So many of the events where I should have been working as a manager, an editor or a photographer were cancelled or postponed and the work that I’d normally be doing in schools and with corporate clients was pretty much wiped out.
New work was replaced by old and I have really got on top of my archiving – which has been fun but memory lane isn’t a place where you’d want to spend too much time in this industry and so I hope, along with pretty much everyone else that I know, that the new year brings some sort of resolution to the pandemic and frees us all up to get out there and pick up where we left off in March. I know that a lot of my news photographer colleagues have been as busy as ever but very few of them have been doing things that have brought them much joy.
2020 is almost done and 2021 will be upon us in a few short days. Stay safe, stay well and stay positive.
A section of 180 of my portraits posted to Instagram during my project.
After six months and 180 portraits posted to Instagram and Facebook I find myself at a point where I’ve shown enough archive imperfect portraits for now. It’s nearly Christmas and it feels like the right time to hit the pause button on, what has been, a very enjoyable diversion from the woes of the COVID-19 pandemic, lockdowns, restrictions and the lack of new work on offer.
As I sit here and contemplate what has been good, bad and indifferent about posting so many of my favourites from 1988 to 2008 the temptation to perform some sort of statistical analysis has been quite strong and the parallel temptation to draw conclusions from the feedback has been stronger still. For now I am going to settle for some general impressions and some feelings that have struck me during the whole process so here’s a bullet-pointed list of some of them: (more…)
From time-to-time I repost one of the fifty technique examples that were posted on the original dg28.com website between 1999 and 2008. I have timed this one to go with uploading this particular frame to my Instagram feed as one of the series of archive portraits that I’ve been putting there for well over five months.
The idea here is to have two separate lighting set-ups for one interview portrait without having to constantly move around the room adjusting lights. This interview was with a senior businessman who chaired a body that decided how much teachers’ pay rises will be each year. The reporter wasn’t all that comfortable with me shooting through the interview but it was what the picture editor wanted, so that’s what I did. This job required a bit of quick thinking so that I could get two different set-ups in place. (more…)