When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)
I spent a long time working as a photographer specialising in education and I spent as long as the rest of you in full-time education as a pupil and a student too. I think that those two facts combine to make me feel that “new year feeling” in September as the kids go back to school and the not-so-young ones go away to university. January is the new year of course and April sees the beginning of the financial year but September feels like to ‘work new year’ to me.
A few weeks ago I was on a simple PR job alongside a small video crew and another photographer. Like most jobs we talked about what we needed, let the video team go first and then shot our pictures. As the day progressed the pattern was repeated until just after lunch the other photographer ran out of power for his camera. He was using a single Canon EOS5D MkIII and I was shooting with two EOS5D MkIVs so we had the same type of battery and I offered to lend him one of my spares. When asked how many spares I had I said that I had four in my camera bag and another four in the car along with a battery charger that would run in the car or on mains should I get desperate. He was amazed that one photographer could own so many and I was equally amazed that anyone doing this for a living wouldn’t. Since then I have been asking around and it turns out that I am quite unusual. (more…)
In my last blog post I announced that I had finally decided to get on board and establish an Instagram account. Just over one month later, I have sixty-nine images on my feed and 282 followers.
Not many, I know. I am delighted by the quality of those followers though because they include at least two dozen photographers whose professional and personal work I admire along with a small number of picture editors and commissioners of photography. Sadly, the young picture editor whose comment triggered this project still hasn’t added herself as a follower but that’s probably just as well because out of those sixty-nine images only eight have the hashtag #newwork which I’m using to indicate brand new pictures shot since I established my account. It has been great going back through archives to find the others and I’ve still got a dozen or so #archivephoto options that haven’t been posted yet. (more…)
The landscape version of the opening page of my Foliobook iPad portfolio.
My previous post about developing a workflow for acquiring, editing and transmitting images using my iPad is still a “work in progress” and that work has been going on alongside another tablet related project. This time it is to get a decent and easily adapted portfolio onto that iPad so that when I need to show pictures I have a pretty good folio with me. I’m sufficiently “old school” to love the look and feel of a printed portfolio and in the past I have used the Foliobook app on an iPad as a back up to the printed work – a way of having a wider selection of pictures just in case the potential client wanted to see more.
I would be the first to admit that I never really used Foliobook to its full potential. A few galleries of randomly sized pictures with graphics ‘straight out of the box’ was about as good as it got. No longer. That £9.99 that I spent all that time ago has now been well and truly exploited! (more…)
Whilst I was out shooting some pictures for the EOS5D Mark IV Update I shot a small set of pictures that reminded me that it is almost inevitable that you find interesting human stories whenever you are out shooting pictures. I met and chatted to a former Royal Marine who had donned his green beret and his medals to come along at the eleventh hour to honour one of his relatives – a Royal Marine Musician – who died when the ship he was on, HMS Hood, was sunk in 1941.
A moving gesture from a man who had himself served for over 27 years for a relative and fellow Marine who he had never met.
Mark Tapping who served 27 years in the Royal Marines places a framed photograph of his relative Royal Marine Musician Albert Pike who died when HMS Hood was sunk on the 24th of May 1941 on the memorial. Armistice Day at the War Memorial in Bournemouth 11 November 2016. Bournemouth, United Kingdom. Photo: Neil Turner