Archive photo

Tinkering with my folio

I spent a long time working as a photographer specialising in education and I spent as long as the rest of you in full-time education as a pupil and a student too. I think that those two facts combine to make me feel that “new year feeling” in September as the kids go back to school and the not-so-young ones go away to university. January is the new year of course and April sees the beginning of the financial year but September feels like to ‘work new year’ to me.

And it is at this time of year I start to think about getting out there with my folio looking for new and interesting work and, at the same time, I like to have at least a minor refresh with my on-line folio too. (more…)

A very big 20th anniversary

A portrait of a college IT expert taken on my first full day using the Kodak DCS520 camera. Photo: NEIL TURNER. 19th November 1998. ©Times Supplements Limited.

A portrait of a college IT expert taken on my first full day using the Kodak DCS520 camera. Photo: NEIL TURNER. 19th November 1998. ©Times Supplements Limited.

On the 18th of November 1998 my working life changed. Forever. That was the day when I received my first professional digital camera that was solely for my use. The Kodak DCS520 was a Kodak/Canon hybrid camera (also known as the Canon D2000) based on the Canon EOS1N that had a 1.9 megapixel CCD sensor with a small LED display on the back and removable PCMCIA flash storage cards. It was a revolutionary piece of kit and it didn’t seem to matter that it had a 1.6x crop factor. Nor did it matter that it didn’t work properly with the 540EZ Speedlight which was the top-of-the range offering from Canon at the time. We didn’t even mind the shutter lag because the DCS520 was infinitely better than the previous DCS offerings and much more convenient than having to process and scan colour negative film. (more…)

August is a strange month

Throughout my 32 years as a photographer August has been something of a “silly season” with little freelance work on offer and very small editions of the papers where I was employed and because of that there has been a lot of soul-searching and career planning done in the height of the English summer.

As July turned into August this year I had been really busy – mostly with editing work but with the odd commission here and there too but as soon as we passed August 1st it all turned quiet again and the annual time for career reflection had begun. This year the plan is a very simple one: to continue to get fitter and to make sure that my regular clients are kept up-to-date with that progress.

One year ago in August 2017 I was in hospital having had some major spinal surgery. Whilst in hospital I spent a lot of time trying to work out what I was going to do for the rest of my career. Of course there was really only one option and that was to get back to freelancing as quickly as possible. (more…)

Instagram – one month into the project

#archivephoto from November 2010 showing a father and son walking the dog in the park as the mists lift. ©Neil Turner

In my last blog post I announced that I had finally decided to get on board and establish an Instagram account. Just over one month later, I have sixty-nine images on my feed and 282 followers.

Not many, I know. I am delighted by the quality of those followers though because they include at least two dozen photographers whose professional and personal work I admire along with a small number of picture editors and commissioners of photography. Sadly, the young picture editor whose comment triggered this project still hasn’t added herself as a follower but that’s probably just as well because out of those sixty-nine images only eight have the hashtag #newwork which I’m using to indicate brand new pictures shot since I established my account. It has been great going back through archives to find the others and I’ve still got a dozen or so #archivephoto options that haven’t been posted yet. (more…)

Instagram… finally!

Gates to a disused Royal Mail sorting office, Christchurch, Dorset. ©Neil Turner. November 2013

I’m not actually sure why but I have avoided Instagram since it was launched. I am aware that it can be used as a good shop window for photographers and I am equally aware that it can suck hours from your day. The thing that finally made me sign up and dive in was when a third picture editor informed me that they didn’t look at portfolios unless they’d seen an Instagram feed first.

When it happened for the first time I wrote it off as the narrow silliness of a very young picture editor. The second time made me think that the whole industry was going nuts but when it happened a third time I decided that I had to move with the times. Now this isn’t the first time that I have been (too) late to a party. I used Flickr when it first came out but deleted my account fairly promptly before getting back in the saddle a couple of years later. I had perviously used EyeEm as a mini-folio but that appeared to be a waste of effort after several months of putting effort into it. Could Instagram be the answer for me? (more…)

iPad workflow part four

Screen grab from Transmit for iOS on my iPad showing a twelve image upload in action.

There are so many ways that I deliver images to various clients these days that I feel that I’m bound to leave something off of this list. The great news for users of the iPad or iPhone to do quick edits of their work is that every single option that I use on the desktop machine is also available on iOS devices;

  • FTP– I use Transmit on the iPad and iPhone. I also have FTP options inside FSN Pro and Shuttersnitch that can all do a good job but Transmit does it all better.
  • Email – adding large numbers of attachments on the iPad isn’t my favourite way to send pictures but it works.
  • Dropbox – The iOS Dropbox app means that I can easily add files to folders on the cloud service and send links to those folders before, during or after the job. It has a very simple interface and works really well.
  • WeTransfer – I wasn’t very happy when the WeTransfer iOS app went over to functioning as “Boards” – making it a very different user experience from the ever-so-simple desktop version but I’ve got used to it and it works really well.
  • Photoshelter – The professional image sharing platform has a dedicated iOS app which is fairly easy to use and very functional.
  • Third Light – This is a niche Digital Asset Management platform used by two of my corporate clients and the iOS app does its job well.

(more…)