ACR

Masking in Adobe Camera RAW

Subject masking in ACR 14.2

Spending a lot of my working life as an editor means that I get very worked up about changes to the software that I use. A couple of months ago I mentioned the fact that masking in Adobe Camera RAW 14 had become simultaneously better and more complicated. I have been asked to talk about what I mean and about why it is better.

In the past you could pick a linear gradient or radial gradient straight from the tool box and apply those relatively simple options to an image really quickly. You could also use a brush to painstakingly paint a mask onto an image in order to carry out local colour, tone or contrast corrections to the masked area. The two most common functions were quick and simple whilst the more complex functions were, well, complex. I grumbled about why you couldn’t have the best of both worlds because the method for selecting the simpler ones had changed from a single mouse-click to three mouse-clicks.

It turns out that in ACR 14.2 you absolutely can.

(more…)

Adobe Camera RAW – big (ish) changes

 

I sat down to edit a set of pictures this morning and went through my normal routine before actually touching the RAW files:

  1. Calibrate monitor
  2. Check for application updates
  3. Restart the computer

All went well, I had a cup of coffee and then opened the set of pictures as a contact sheet in Photo Mechanic. I went through, added the relevant IPTC captions and then imported the selected images into Adobe Camera RAW and then I noticed that a new icon had appeared in the tools on the right hand side of the screen. A small ‘film strip’ had appeared in Camera RAW 10.3 and below that a new ‘treatment’ option was sitting there offering me the choice between Color (surely they mean Colour?) and Black & White with the choice of profile sitting there in a much more convenient place than it ever has been before.

Change is good. Isn’t it? (more…)