A little over three and a half years ago I made a video showing users how to do a simple set-up to transmit images directly from the Canon EOS 5D MkIV camera using the built-in FTP feature. Recently a chap who saw that video asked if I could do the same with the EOS R5. At that time I didn’t have access to an R5 so I made a note to get around to it ‘one day’.
Last week I needed to get my hands on one to make sure that it was able to transmit into a server that some of the photographers that I work with use. Thanks to Canon UK and CPS (Canon Professional Services) I have had the camera for a few days, ironed out any issues we had and so I thought that I’d go ahead and make a quick walk-through tutorial and comparison video.
… my other main gripe with Adobe is to ask why call this an update move from .2 to .3 and not actually call it what it is with some decent warnings – as a user this feels like a whole new version and I would like to have had some warning before having to spend time (which I luckily have right now but that’s immaterial) getting to know the new interface. At the end of the day my workflow isn’t going to change much, if at all. Equally, this is still a more suitable application than any of the others I have tried and tried again – including Lightroom. I have challenged myself to work with the default version of the new workspace to see if it is better because a couple of others have assured me that they prefer it and those are also people whose opinion I would always respect but I have to be honest and say that I’m not looking forward to the next big edit
I have been working away with various updates and then, along with the 2021 version of Photoshop CC which appeared a few days ago, version 13 of the Camera RAW module landed and I am able to pronounce myself reasonably happy. That’s for two reasons really, the first is that I have been plugging away learning how to work with the new interface and the second is that I have gone over to using more and more keyboard shortcuts – which makes so much sense given that I have always been a fan of them in other applications such as Photo Mechanic. (more…)
My workflow has revolved around Photo Mechanic and Adobe Camera RAW for a lot of years now and, bit by bit, it has evolved along with those two key applications to become a slick and well-ordered professional process. Adobe have posted regular updates to their RAW converter pretty regularly and those updates have almost always been logical and very welcome. Occasionally they have made quite big changes and I have welcomed pretty much everything they’ve done. Until now.
The latest version, 12.3 wasn’t flagged-up in advance as being a major change and so I (stupidly) hit OK on the update without giving it too much thought. I was more than a little surprised when I opened my first set of RAW files to edit them because what I was seeing were a whole raft of changes that were, in my opinion, not needed and/or not wanted. (more…)
Interview portrait of Lady Helen Brook, founder of the Brook Advisory Centres which gave advice to young women about contraception starting in the in the 1960s, aged 85 at her home in north-west London. 05 May 1993 Photo: Neil Turner
Here we are in day sixty-something of the UK Coronavirus lockdown and I’m still ploughing through my very old work and trying to knock it into a usable archive. There are a number of stages to the process and stage one has been to make a detailed catalogue of somewhere approaching three thousand rolls of negatives from dates on the negative sleeves married up with my old (Filofax) diaries and a few memories kicking around in my head. Stage one is now pretty much finished. There are a few gaps where I cannot work out the exact details of when and where pictures were taken and there are a lot of sheets of negatives missing where the films were processed in newspaper darkrooms and I never got them back.
What I have done as a first step is to create a spreadsheet with columns for the film number, date shot, client who commissioned the job or if it was a self-funded project, a generic caption for the whole sheet of negatives, specific frames where applicable and the digital filename range of files created. From there I can import any or all of that data into the IPTC metadata once I get to the captioning of those images. There will be some rolls of film that will never be touched and there are others which will be given a lot of attention. (more…)
The days when everything we did was aimed at print are gone. We have to produce images for a very wide range of uses these days and so I decided to go with a monitor that has excellent colour, brilliant flexibility and a simple (very Mac friendly) interface. This LG fits all of those requirements with ease. When these monitors first appeared in the Apple Store there were a lot of negative comments and I was pretty dismissive of them myself when I saw one. Over time I have grown to like them and now that Apple’s own professional monitor cannot tick my boxes I decided to place my order for the LG. (more…)
Towards the end of last month I was excited about the arrival of the production version of Camera Bits new update to their excellent (and indispensable) workflow application Photo Mechanic. I have been using this version (with two updates and counting) for the last five weeks and I am about ready to say that I have settled into enough to put my early opinions down here in the blog.
It’s very good.
People say that they like short and concise reviews and that, ladies and gentlemen, was it. For those who prefer an expanded and more considered opinion I guess that I am going to have to write on because it hasn’t all been lovely. Camera Bits have been asking everyone for feedback and the fact that they have released two extra builds since the launch of version 6 five weeks ago tells me that they are working hard to make this the best version so far and free from faults and niggles.
Slowly but surely application developers are replacing their 32 bit versions for Apple OSX with 64 bit ones. As things stand there are only two bits of software that I use on a very regular basis that are still only available in 32 bit and the most important (and dare I say “most exciting”) of those, Photo Mechanic, gets an upgrade later this month. It has been a while coming, and I have mentioned it here on this blog once or twice already, when the next iteration of OSX is installed it stops us being able to use 32 bits apps altogether. Because I have the luxury of having three Macs I always have one of them running the latest (or even beta) versions of everything. That way I can satisfy my curiosity without risking my production machines with untested or insufficiently tested software. (more…)