I often refer to my photographs as “telling a story”. That’s how I look at what I do. Portraits help to tell that person’s story and the rest of my work is all about creating images that either tell the whole story of work with other elements to achieve that goal. Stories don’t necessarily have to have an ending. Many of the best stories ask a question of the reader/viewer and leave them thinking about what they have seen, read or experienced. That, in my opinion, is what photography is about; telling the right stories and asking the right questions and how you choose to compose your pictures is one of the vital elements of visual storytelling.
Ten years ago I bought an 11″ MacBook Air. It went everywhere with me because it was so portable, so useful and did the job that I needed it to do. Four years ago I tried really hard to find a way to use an iPad to do the same sort of on-location quick edits that the small laptop had been so good for but I never really made it work. I kept the rapidly ageing laptop in service for longer than I should have and carried my 2017 15″ MacBook Pro on more jobs that I would have wanted to. When Apple released the M1 powered 13″ laptops earlier this year I thought that I might finally have found a solution and the reports coming from other photographers about how good they were helped me make my mind up to invest in one.
When I was posting an archive portrait a day to my instagram account during the COVID-19 lockdown I had about thirty images in my mind that were ‘must-have’ pictures that I remembered being something special. When I started to put to the set together two things surprised me;
Some of those thirty must-have pictures weren’t as good as my memory told me they were.
Quite a few others were available top take their place in the top thirty – either because they were way better than I had remembered or because I had totally forgotten about them.
A little over three and a half years ago I made a video showing users how to do a simple set-up to transmit images directly from the Canon EOS 5D MkIV camera using the built-in FTP feature. Recently a chap who saw that video asked if I could do the same with the EOS R5. At that time I didn’t have access to an R5 so I made a note to get around to it ‘one day’.
Last week I needed to get my hands on one to make sure that it was able to transmit into a server that some of the photographers that I work with use. Thanks to Canon UK and CPS (Canon Professional Services) I have had the camera for a few days, ironed out any issues we had and so I thought that I’d go ahead and make a quick walk-through tutorial and comparison video.
My project to get my websites secure has finally come to an end. None of them now show the “not secure” warning as they all have the correct certificates and https addresses. You’ll notice that I used the plural websites. That’s because I have ended up with quite a few domains and three sites in particular that represent me and my business. It’s a long and complicated story but I have found myself in this position and I had to make a decision about consolidating them into one and have the two “redundant” domains point to the active one or I could just tweak them all, give them enough design similarities to make them work as seamlessly as possible and end up with sites that are good at the job assigned to them. (more…)
Like a lot of my colleagues I have spent time during the COVID-19 lockdowns going through and doing those little jobs from our digital lives that we had been meaning to do. Inevitably, sorting one thing out raises a new problem and so on, and so on until you have come around in what feels like a full circle.
In between the jobs that I meant to do I received an email from a good client of mine suggesting that I should make my original dg28.com website secure. I will explain more about this very soon because there’s a lesson in this for a lot of us. It turns out that getting the right kind of digital certification to make an old-fashioned site written in HTML code is somewhere between really tricky and impossible and so I chose to move it over to WordPress and change my hosting package. The knock-on effect was that my original technique posts from May 2000 to July 2008 became invisible and had to be moved too. (more…)
When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)