Over the last few months I have been devoting an awful lot of my time to building up an archive of my professional work from when I left college in 1986. There are plenty of gaps and there have been lots of surprises – images and commissions that I had long forgotten and it occurred to me that my Instagram feed was looking a bit sorry for itself and so I started to add portraits that had something of a back story. That was a couple of weeks ago and there will be photographs on that feed that regular readers of this blog will recognise but, equally, there will be some very unfamiliar portraits that haven’t seen the light of day in many, many years. (more…)
Here we are in day sixty-something of the UK Coronavirus lockdown and I’m still ploughing through my very old work and trying to knock it into a usable archive. There are a number of stages to the process and stage one has been to make a detailed catalogue of somewhere approaching three thousand rolls of negatives from dates on the negative sleeves married up with my old (Filofax) diaries and a few memories kicking around in my head. Stage one is now pretty much finished. There are a few gaps where I cannot work out the exact details of when and where pictures were taken and there are a lot of sheets of negatives missing where the films were processed in newspaper darkrooms and I never got them back.
What I have done as a first step is to create a spreadsheet with columns for the film number, date shot, client who commissioned the job or if it was a self-funded project, a generic caption for the whole sheet of negatives, specific frames where applicable and the digital filename range of files created. From there I can import any or all of that data into the IPTC metadata once I get to the captioning of those images. There will be some rolls of film that will never be touched and there are others which will be given a lot of attention. (more…)
Like so many of my colleagues the Covid 19 Pandemic has robbed me of almost all of my work. 2020 was looking to be a great year with lots of interesting projects but from the moment that the first lockdowns started to swing into action across the world my assignments and projects started to get postponed and cancelled at a very rapid rate. As I sit here I have nothing booked for the rest of the year.
The other thing that I have in common with a huge percentage of those colleagues is that I have been giving some more attention to my archives. I had several months off in 2017 and so my digital images are already well protected and catalogued so I have been looking at transparencies, negatives and back ups of my old digital life. (more…)
I spent a long time working as a photographer specialising in education and I spent as long as the rest of you in full-time education as a pupil and a student too. I think that those two facts combine to make me feel that “new year feeling” in September as the kids go back to school and the not-so-young ones go away to university. January is the new year of course and April sees the beginning of the financial year but September feels like to ‘work new year’ to me.
And it is at this time of year I start to think about getting out there with my folio looking for new and interesting work and, at the same time, I like to have at least a minor refresh with my on-line folio too. (more…)
For anyone who remembers that far back my www.dg28.com website started out as a vehicle for me to post updates about the work that I was doing along with some technique examples that I rather pompously called “photographer education”. Well, that was in 1999 and a couple of years later I started doing occasional workshops and lectures about my use of portable flash on location. I have done a lot of talks over the years including a couple on behalf of The BPPA to coincide with exhibitions that were held on the old SS Robin at Canary Wharf. SS Robin attendee Steven Frischling said
“He’s good folks… totally worth the price of admisssion, got off the plane and went right to work with what I learned from you within hours”.
(Steven had flown from Pennsylvania and was en route to Germany!) (more…)
Towards the end of last month I was excited about the arrival of the production version of Camera Bits new update to their excellent (and indispensable) workflow application Photo Mechanic. I have been using this version (with two updates and counting) for the last five weeks and I am about ready to say that I have settled into enough to put my early opinions down here in the blog.
It’s very good.
People say that they like short and concise reviews and that, ladies and gentlemen, was it. For those who prefer an expanded and more considered opinion I guess that I am going to have to write on because it hasn’t all been lovely. Camera Bits have been asking everyone for feedback and the fact that they have released two extra builds since the launch of version 6 five weeks ago tells me that they are working hard to make this the best version so far and free from faults and niggles.
Let’s start with a few of those niggles: (more…)