A section of 180 of my portraits posted to Instagram during my project.
After six months and 180 portraits posted to Instagram and Facebook I find myself at a point where I’ve shown enough archive imperfect portraits for now. It’s nearly Christmas and it feels like the right time to hit the pause button on, what has been, a very enjoyable diversion from the woes of the COVID-19 pandemic, lockdowns, restrictions and the lack of new work on offer.
As I sit here and contemplate what has been good, bad and indifferent about posting so many of my favourites from 1988 to 2008 the temptation to perform some sort of statistical analysis has been quite strong and the parallel temptation to draw conclusions from the feedback has been stronger still. For now I am going to settle for some general impressions and some feelings that have struck me during the whole process so here’s a bullet-pointed list of some of them: (more…)
From time-to-time I repost one of the fifty technique examples that were posted on the original dg28.com website between 1999 and 2008. I have timed this one to go with uploading this particular frame to my Instagram feed as one of the series of archive portraits that I’ve been putting there for well over five months.
The idea here is to have two separate lighting set-ups for one interview portrait without having to constantly move around the room adjusting lights. This interview was with a senior businessman who chaired a body that decided how much teachers’ pay rises will be each year. The reporter wasn’t all that comfortable with me shooting through the interview but it was what the picture editor wanted, so that’s what I did. This job required a bit of quick thinking so that I could get two different set-ups in place. (more…)
… my other main gripe with Adobe is to ask why call this an update move from .2 to .3 and not actually call it what it is with some decent warnings – as a user this feels like a whole new version and I would like to have had some warning before having to spend time (which I luckily have right now but that’s immaterial) getting to know the new interface. At the end of the day my workflow isn’t going to change much, if at all. Equally, this is still a more suitable application than any of the others I have tried and tried again – including Lightroom. I have challenged myself to work with the default version of the new workspace to see if it is better because a couple of others have assured me that they prefer it and those are also people whose opinion I would always respect but I have to be honest and say that I’m not looking forward to the next big edit
I have been working away with various updates and then, along with the 2021 version of Photoshop CC which appeared a few days ago, version 13 of the Camera RAW module landed and I am able to pronounce myself reasonably happy. That’s for two reasons really, the first is that I have been plugging away learning how to work with the new interface and the second is that I have gone over to using more and more keyboard shortcuts – which makes so much sense given that I have always been a fan of them in other applications such as Photo Mechanic. (more…)
When I posted a frame from this set on my Instagram feed it attracted a few comments and an email from a colleague asking to see the contact sheet for it. I’m only too happy to oblige so here it is – a sixteen image edit from the job. The words that I posted with it on Instagram were these:
I cannot remember photographing anyone who was more accommodating, nicer to be around and generally more cheerful than television presenter and educator Johnny Ball. In January 2008 when I photographed him in his back garden in Farnham Common, Berkshire it was cold and a little bit damp but we both wanted to work outside and so, after a brief tour of the garden, we chose two spots to shoot pictures. This location was crying out for a big shadow so I used a single battery power flash to light him and create the shadow. He was laughing and chatting right through the twenty or so minutes we were shooting pictures before retreating indoors for coffee and warmth.(more…)
I’m pretty sure that everyone is fed up of hearing that work has dried up, incomes have suffered and how frustrating it is being a creative at the moment. I’d like to say that the work has started to flood in again but that wouldn’t be true. Happily a couple of clients have picked up the phone and booked some work and so I thought that I’d show one of the most recent bits of imperfect portraiture and talk a little bit about it.
The young man featured in this set of portraits is a Physiotherapy student in the final year of his degree and I was asked to go and shoot a (socially distanced and safe) portrait of him to go with a piece about Black History Month to accompany an article about people in the professions and how they have experienced racism and discrimination over the years. There has been an awful lot said and written about whether this kind of work should be shot by BAME photographers and I have an open mind about the subject but I felt that I’d do a good job and so I went along to meet him and we walked to a park very near where he lives in Hampshire and where he had been exercising whilst his gym was closed. (more…)
When I have been posting archive portraits on Instagram and Facebook I have been including a few memories of each job. On more than one occasion I have commented that it was a tough job picking a single frame from a shoot and one of my colleagues contacted me when I posted a frame of the late Dennis Healey to ask me to post a wider selection from that job. I thought that it would be best to show the whole edit as it was sent to the magazine in the form of a ‘contact sheet’. (more…)