wisdom

I need people in photographs

Children play football with an improvised ball in the Copperbelt of Zambia. ©Neil Turner/TSL.

Like most members of the photographic profession, the bottom has dropped out of my business and any and all photography bookings between the first week of March and the end of July have been postponed or cancelled. Not my fault, not my client’s faults either so I’m being pretty calm about it and getting used to being in lockdown. Lots of my news photographer friends are out there day after day coming up with fabulous picture to illustrate the only story that anyone is interested in – the Coronavirus Pandemic – and I applaud them warmly. That applause goes for the health workers, retailers who are at work, the emergency services, delivery drivers, refuse workers and every other key worker who is there doing their jobs to keep society ticking over and, more importantly, safe.

Again, like most members of the photographic profession, I am looking back through old images of mine to remind myself what it is about the job and making the pictures that I love so much. I’ve also been looking through some of the hundreds of photographic books that line the shelves in my home and it has taken almost no time at all to re-affirm what I already knew: (more…)

Mission Creep

I have lost count of the number of times I have agreed the details of an assignment with a client only to find out that they want to add a few “little extras” on the day of the shoot. Sometimes it is a job where we agreed to do a dozen headshots only to find out that they’ve added another six or seven. It can be a school prospectus shoot which was meant to end with the school day where, over a cup of coffee, they casually add an after-school club that doesn’t start until after you were supposed to be off-site. In the most extreme case I can remember it was to do half of the job in central London and the rest of it a two-hour drive away on the outskirts of Coventry.

The military term “mission creep” sort of covers this except that most definitions use the word “unintentionally” whereas this kind of “job expansion” is pretty often entirely intentional. How you handle this regular occurrence says a lot about you as a photographer and can define your relationship with that client for years to come. What might seem as a harmless addition to the brief can leave you with extra work, less time to shoot parts of the original brief and can get you into a row with the client.

For me the worst part of mission creep is the almost inevitable additional time that will have to be spent in post production. It stands to reason that even if you can shoot extra pictures in the time given for the job there will be a greater number of images to be sorted, captioned, cropped and toned. The client almost always ends up getting what they perceive as more pictures for the same fee. (more…)

Photography as a discussion

Pensioners at a bus stop in Bournemouth town centre on a wet afternoon. ©Neil Turner

About thirty seconds after starting to read yet another essay about photography that doesn’t include any pictures I normally categorise it as one of the following:

  • useful
  • derivative
  • nonsense
  • worse than nonsense

This week there was an exception – in fact quite a big exception. (more…)

Five weeks with Photo Mechanic 6

Towards the end of last month I was excited about the arrival of the production version of Camera Bits new update to their excellent (and indispensable) workflow application Photo Mechanic. I have been using this version (with two updates and counting) for the last five weeks and I am about ready to say that I have settled into enough to put my early opinions down here in the blog.

It’s very good.

People say that they like short and concise reviews and that, ladies and gentlemen, was it. For those who prefer an expanded and more considered opinion I guess that I am going to have to write on because it hasn’t all been lovely. Camera Bits have been asking everyone for feedback and the fact that they have released two extra builds since the launch of version 6 five weeks ago tells me that they are working hard to make this the best version so far and free from faults and niggles.

Let’s start with a few of those niggles: (more…)

The Workflow Nerd strikes again

On January 22nd in London I’m going to be running a workshop for photographers who want to expand their knowledge of the various options for speeding up the IPTC captioning part of their workflow. We will be drilling right down into autocomplete, code replacements and variables and even using more than one of them at the same time.

Most of us use the techniques that we know and tend to keep using them until we are persuaded to try something new. This is an opportunity to come and find out what I know and see if you can improve your own workflow at the same time.

If you are interested, the booking is open through Eventbrite and the standard price is just £25.00 with a £15.00 concessionary price for members of The BPPA.

Workflow “greatest hits”

The other day I was chatting to a young photographer and trying to explain why a consistent and logical workflow was so important. I confidently referred to my own (this) blog and the many years that I have been writing about photography in general and about workflow specifically. Much to my own embarrassment it took me a few minutes to find the posts that I was looking for. I made a note to come back and create some “greatest hits” lists of posts for various topics and this is the first one – workflow and Photo Mechanic. (more…)