I am a firm believer in keeping up with technology, learning new things and generally being ‘up-to-date’. The one thing that regularly makes me question that philosophy is the changes that Adobe make on a regular basis to their Camera RAW plug-in for Photoshop. This isn’t going to be my first blog post about what they’ve changed and how it effects my workflow. I was unhappy about what they did in Version 12.3 (but I got over it). I was pretty pleased with Version 13.0 and remained so throughout its lifespan. Now that I have had some time to digest what Version 14.0 has to offer I thought that I’d come back and share my impressions.
Before I get into this remarkably short post I’d like to mention one of the relevant things that I have learned over the years – to avoid commenting on change until I have given it a chance to grow on me.
I often refer to my photographs as “telling a story”. That’s how I look at what I do. Portraits help to tell that person’s story and the rest of my work is all about creating images that either tell the whole story of work with other elements to achieve that goal. Stories don’t necessarily have to have an ending. Many of the best stories ask a question of the reader/viewer and leave them thinking about what they have seen, read or experienced. That, in my opinion, is what photography is about; telling the right stories and asking the right questions and how you choose to compose your pictures is one of the vital elements of visual storytelling.
When I was posting an archive portrait a day to my instagram account during the COVID-19 lockdown I had about thirty images in my mind that were ‘must-have’ pictures that I remembered being something special. When I started to put to the set together two things surprised me;
Some of those thirty must-have pictures weren’t as good as my memory told me they were.
Quite a few others were available top take their place in the top thirty – either because they were way better than I had remembered or because I had totally forgotten about them.
Working with teams of photographers on big sports projects is one of my main sources of income these days. Get a bunch of photographers together and they will almost inevitably start to tell stories about what they’ve done and who they’ve met.
Recently a colleague mentioned my Instagram project from last year and how he had enjoyed seeing my early work. That lead to a discussion about how lucky we are to go places and to see things that the general public can’t or, at least can’t without spending a lot of money.
Whatever you do for a living, for fun or out of necessity the general rule is that the more you do it, the better you get at it. Like a very large number of people I have been doing what I normally do a lot less through the COVID-19 pandemic and I have found that has caused me to stop and think a lot more.
I haven’t been into a single school for almost a year and a half and I haven’t shot a large set of corporate headshots for almost as long. I haven’t been asked to photograph retail spaces, conferences or the work that takes place inside hospitals. That’s a massive chunk of my core photography work missing from my life and the relatively few editorial and news jobs that I’ve done certainly haven’t made up for any of the regular commissions.
A little over three and a half years ago I made a video showing users how to do a simple set-up to transmit images directly from the Canon EOS 5D MkIV camera using the built-in FTP feature. Recently a chap who saw that video asked if I could do the same with the EOS R5. At that time I didn’t have access to an R5 so I made a note to get around to it ‘one day’.
Last week I needed to get my hands on one to make sure that it was able to transmit into a server that some of the photographers that I work with use. Thanks to Canon UK and CPS (Canon Professional Services) I have had the camera for a few days, ironed out any issues we had and so I thought that I’d go ahead and make a quick walk-through tutorial and comparison video.
When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)