Editorial

I can’t imagine being without a fifty
©Neil Turner. October 2022. Canon RF 50mm f1.8 mounted on an R6 body

When I worked in a camera shop in the early 1980s we used to sell ninety percent of the camera bodies with a standard lens. Olympus, Pentax, Nikon, Canon, Minolta, Ricoh and a few others all came in a kit with a 50mm lens. By default almost every camera owner ended up with a decent quality pretty fast and actually very versatile bit of glass. Even before I took that job my second SLR (an Olympus OM10) came with a Zuiko 50mm f1.8 and I kept that lens as long as I had Olympus cameras. They were cheap and did the job at a time when very few people shot with zoom lenses.

Since then I have owned over a dozen other 50mm prime lenses as well as two different 55mm ones. At no point in the period from 1981 until today have I been without at least one 50mm optic. At one point I had no fewer than four Canon fifties: f1.0, f1.4 f1.8 and the f2.5 macro. I swapped the f1.0 for an f1.2 a few years ago and it was only comparatively recently that I culled my collection to the point that I “only” have three; the EF 50mm f1.2L, EF 50mm f1.4 USM and the relatively recent RF 50mm f1.8 STM. The two EF lenses will be going soon and it looks as if my collection of fifties will be down to a single lens for the first time since 1995.

(more…)

Paying it forward

I don’t actually remember the first time that I heard the phrase “pay it forward” but I know that it accurately summed-up something that was there in my mind from quite a young age. I had two parents who both loved to explain how to do things and both of them took enormous pleasure in “paying it forward”. Both of my older brothers either consciously or subconsciously echoed our parents attitudes as well. In fact, if you look around, it’s happening all of the time and it is to be appreciated and celebrated.

I can remember watching a film actually called Pay It Forward which came out in 2000 and that, despite it’s rather cheesy nature, it definitely helped to put a name to what I had already been doing for many years.

(more…)

Mirrorless here I come

It’s surprising how much of the work that we all do could be done a little easier and with a little less stress if our cameras were silent. I have been shooting inside a Cathedral quite a bit over the last couple of weeks and I have been shooting in a conference much of the rest of the time. The combination of that recent experience and the news that next year’s tennis at Wimbledon will be DSLR and shutter sound free have made me decide that it’s time to give the whole mirrorless experience a proper go.

(more…)

Mac Studio arrives…
The Apple logo on top of my Mac Studio. ©Neil Turner, June 2022

A couple of months ago I wrote about the amount of power that I perceived that I needed in a computer in order to efficiently edit images. Shortly after that I saw a Mac with an M1 Max processor in action converting batches of RAW files and I decided that I’d order a Mac Studio a couple of days later. I went for the base model with a 512Gb SSD and 32Gb of RAM for two reasons; the first of which was that it was easily going to be powerful enough for even the chunkiest RAW files and the second was that it was the only model that had any chance of being delivered in time for the heavy batch of editing that I am now in the middle of.

(more…)

No ‘perfect pictures’ here
©Neil Turner. Office worker on a lunch break. October 2008

A question for my fellow photographers:

When was the last time you finished a shoot, went through the edit and genuinely thought that you really couldn’t have done better?

My answer is that I cannot remember ever having that thought. I’ve come close and been really happy with what I have done many, many times but I can say with a reasonable degree of certainty that ‘complete satisfaction’ hasn’t featured in my work.

I have never taken a perfect picture and I have certainly never made one in post-production – but I’m OK with that.

This question was triggered by listening to an artist being interviewed on a radio programme who said that she had gone through something of a crisis of confidence having finished a piece and in that moment thinking that it was perfect. She talked about coming very quickly to hate the idea that she might never achieve that level of mastery of her craft again and that she may well have reached a professional peak at a relatively young age. That was something which her passion for what she did led her to develop a form of depression.

(more…)

Thirty-plus year old memory
Sir John Cassels – Chair of a Government Inquiry into post-sixteen education. Photographed at his home in south-west London. May 1991. Photo: ©Neil Turner

When I published this May 1991 portrait on my Instagram feed a couple of years ago I was shocked by the clarity of my memories of shooting it. A year or so after publishing it I was giving a talk to a wonderful group of people at a camera club who had invited me to come and show some work and tell some anecdotes and, once again, I remembered so much detail about the day and the pictures. The power of still images to evoke a time and a place is a wonderful thing. I thought that it would be good to share those memories again here and this is what I wrote underneath the post on Instagram:

(more…)

Masking in Adobe Camera RAW
Subject masking in ACR 14.2

Spending a lot of my working life as an editor means that I get very worked up about changes to the software that I use. A couple of months ago I mentioned the fact that masking in Adobe Camera RAW 14 had become simultaneously better and more complicated. I have been asked to talk about what I mean and about why it is better.

In the past you could pick a linear gradient or radial gradient straight from the tool box and apply those relatively simple options to an image really quickly. You could also use a brush to painstakingly paint a mask onto an image in order to carry out local colour, tone or contrast corrections to the masked area. The two most common functions were quick and simple whilst the more complex functions were, well, complex. I grumbled about why you couldn’t have the best of both worlds because the method for selecting the simpler ones had changed from a single mouse-click to three mouse-clicks.

It turns out that in ACR 14.2 you absolutely can.

(more…)

A downside of technology
© Photo Neil Turner.

Anyone who knows me and anyone who has read this blog would probably say that I am keen on technology. I would agree – I’m a geek. Despite my love of the whole digital process there’s one thing about the way that we work these days that I am not so keen on.

What’s that then? I hear one or two people asking. Put very simply, I don’t get to meet or even chat with editorial clients any more. I know that the whole COVID-19 pandemic has put a mighty spanner in the works but even accounting for that I was disappointed and a little bit shocked to realise that I have never actually met any of the folks who have commissioned me to shoot editorial work since well before we went into the first lockdown. Some of that can be explained away by my being based a hundred miles from London where a sizeable proportion of them live and work but even accounting for that I find it really sad that I haven’t got to have a coffee with any of them or even shake the odd hand here and there.

(more…)