Editorial

Juxtapose and exaggerate
Not the original note to self but I have added it to a lens wrap for old time’s sake

A few days ago I was at an event in Manchester run by Canon UK. While I was chatting with one of the many talented young photographers that they had invited I remembered something about my early career that I am pretty sure helped me more than I could have known at the time.

In the later 1980s and early 1990s I had a light grey Domke F1X camera bag. I loved that bag and I loved working from it. I also loved that every time I lifted the top flap there were two words written there with a marker pen:

  • Juxtapose
  • Exaggerate

They were written there because the legendary photographer Terence Donovan gave a talk at my college in either 1985 or 1986. When asked by one of my classmates about taking better pictures, he explained that by juxtaposing our subjects with backgrounds, secondary subjects and other compositional elements we could give our pictures a depth that told stories more effectively. By exaggerating things such as light, angles, perspective or even the contents of our images we could, again, tell those stories in different and possibly better ways. I scribbled down those two words in my almost brand new Filofax, underlining both multiple times.

(more…)

One month in with the Canon EL5 flash
The oldie but goodie 600 EXII RT on the left meets the EL5 on the right.

Many months ago I wrote about my experiences with the top-of-the-range Canon EL1 flash. It was heavy, bulky and expensive but in almost every other way I found it to be very, very good. At the time there was a rumour of a smaller, lighter and cheaper alternative coming from Canon but it took a while to come out and a good deal longer for me to get my hands on not just one but two of them.

EL1 versus 600 EXII RT wasn’t really a great comparison and I found myself matching the big Canon flash against my Elinchrom One which was only ever going to be a contest when using them on stands and with light modifiers because there really isn’t much out there that can be compared to the EL1. The EL5, on the other hand, is a much more direct match for the older 600 EXII. They are much the same size (the EL5 is fatter at the head and I’ll cover that in a bit) and the weight difference isn’t too great with the 600 EXII coming in a 555g with 4 x AA Eneloop batteries loaded and the EL5 tipping our kitchen scales at 601g complete with the same LP-EL battery that was so impressive in the EL1. Both work perfectly with my much-loved ST-E10 speedlite transmitters and that’s where the similarities end.

(more…)

Good light and the click-bait rabbit hole
An old favourite: Flash plus ambient – my favourite way to shoot. © Photo Neil Turner, May 2011

OK, I admit it – when the mood takes me I follow links on the internet and find myself down some pretty odd/infuriating/entertaining rabbit holes. The other day I was suckered-in by a full-on click-bait link on Facebook with the oh-so-inviting headline “Is this the biggest lie in photography?” It started out saying that photographers who believe that expensive lights give better light than cheap ones aren’t correct. It started out with all the hallmarks of something controversial but quickly fizzled out but not before I had started to compose a bit of a rant of a comment to add to the growing conversation on the Facebook page from a few others who hadn’t bothered to read to the end before getting on their hobby horses either.

Five minutes later, and having read the whole thing, I stopped, copied what I had agonised over writing, and pasted it into a note on my computer with the idea of doing exactly what I’m doing now; turn that rant into a blog post featuring better reasoning and more detail.

(more…)

On holiday with a (new) compact camera
Crowds on the Rialto Bridge in Venice at dusk. © Neil Turner. Friday 24 November 2023

A little over five years ago I bought a new compact camera. I like compact cameras and I’ve never been a great lover of using my phone as my walk-about medium for taking pictures. Spoiler alert: I prefer the control that you have with a camera rather than having to jump through hoops to get the same from a mobile. I wrote about the compact on this blog and it was a Canon Powershot G7X MkII. To save you from reading that post (unless you want to) my main conclusion was:

The bottom line is that this is a truly capable, highly affordable and genuinely compact compact digital camera. A while ago I wrote that using a different compact camera just made me smile and I’m starting to develop a grin when using this new one too. That’s a good sign and I’m pretty sure that it will lead to some pictures that will make me smile too.

(more…)

High ISO fun and games
Some quick tests using different workflows with a low light high-ISO image. ©Neil Turner October 2023

For a very long time I have been an advocate of shooting RAW files and processing them through Adobe Camera RAW. Recently I have been shooting a lot of pictures in dark spaces with poor light and have been regularly using ISOs of 6400 and above. What has shocked me is that my normal workflows have been producing results that I find a bit grainy – even with the superb high-ISO capabilities of the latest Canon R series cameras.

Having edited some of the live jpegs transmitted during events it has become apparent to me that I need to get stuck into some of the latest noise reduction options as well as having a better look at what in-camera processing can do.

(more…)

Mirrorless for twelve months and counting
My brother’s car photographed in the New Forest National Park. 04 May 2023. Photo: Neil Turner

Twelve months ago I swapped over from beloved Canon EOS 5D MkIVs to Canon mirrorless. In that time I have had quite a few different mirrorless bodies: two R6s, an R5, an R3 and my absolute favourites the R6 MkII. It wasn’t all plain sailing but I have ended up in a position where, when I tried to use my one remaining EOS5D MkIV on a job, I struggled. From a position of feeling desperately uncomfortable with EVFs (electronic viewfinders) I appear to have performed a complete 180 degree switch and found the optical viewfinder, mirror and prism set up hard to re-adjust to. That’s pretty remarkable given that I had almost forty-two years of using SLRs and DSLRs (with the odd rangefinder) and only one with mirrorless as my main camera option.

In the next few weeks I expect to part with that final DSLR and a few more of my EF lenses and pretty much complete the switch because going between the two options isn’t going to work for me.

So what have I learned in the last twelve months?

(more…)

Pile it high and sell it cheap? Please don’t.
Glenda Jackson, Labour Party Prospective Parliamentary Candidate. 25 September 1991. Photo: Neil Turner

On the day that an image library licensed one of my historic pictures for just a little under $6 to a well known publisher for use in print and on-line in perpetuity I have been thinking about the value of photography.

We all take pictures on our phones on a daily basis. It’s easy, it’s somewhere between cheap and free and because of that very few of us truly value many pictures. We all have sentimental and meaningful photographs that we have taken and those that have been shot of and with us but do they even have a monetary value? Rarely.

The ability of pictures to influence and even directly alter our mood or play with our aesthetic sensibilities and emotional states is inarguable. It should be those things that make the images that we produce, view and consume on an industrial scale that that give them their true value. I’ve made a living, a pretty decent living, for almost thirty-seven years from photography and I have been lucky enough to find clients (and an employer) who largely understand what the right pictures are actually worth. I’ve been commissioned to shoot many interesting, funny, sad, dramatic, terrifying and downright mundane things and I hope that it is my ability to produce the most eye-catching, informative and memorable images from them that has a real value.

(more…)

Live pictures
This photograph of The Most Revd and Rt Hon Justin Welby, Archbishop of Canterbury walking from Lambeth Palace to Westminster Abbey accompanied by another Archbishop and seven Bishops taking part in the Coronation of His Majesty King Charles III was transmitted from the camera as I walked backwards over Lambeth Bridge. ©Neil Turner. 06 May 2023

Before I ask you to imagine a scene, I’d like to point out that (for the avoidance of any doubt) this has never actually happened. There’s a big group of clients and potential clients staging a demo with placards and a megaphone with the chant

“What do we want?”

“Great pictures!”

“When do we want them?”

“As fast as the technology will allow!”

News and sports photographers are all very well versed in supplying pictures really quickly. These days that mostly means transmitting directly from the camera or, as a fall back, moving images via their smartphone or tablet or even sticking cards into a laptop every few minutes during the event to upload from there. I’ve talked a lot about FTP from the camera and have even made a couple of tutorial videos about exactly how to do it with the various Canon cameras that I’ve used. Obviously the concept is exactly the same with Sony and Nikon as well as some of the latest Fujifilm bodies.

(more…)