photography

Understanding photography through quotes and inspiration

I mostly write on here about the business of photography, photographic techniques and photographic equipment. Every once in a while I will indulge myself and wander off into simply thinking about photography and see where a few paragraphs take me. With that in mid, let’s go.

In early December we were on holiday in Venice and whilst wandering around some of the beautiful back streets of one of our absolute favourite cities we stumbled across a small gallery showing the work of two British artists so we went in. We were lucky enough to met them and in chatting about galleries, art and shows to see they told us that there was a major exhibition of the work of Robert Mapplethorpe showing for a limited time at Le Stanza della Fotografia on the Island of San Giorgio Maggiore.

Immediately I have three thoughts here: The show was wonderful as you would expect from such a famous photographer. Secondly, the gallery was itself gorgeous and probably one of the best dedicated spaces for showing photography anywhere that I’ve been. Thirdly, and finally, I kept my ticket and it has been sitting on my desk since we returned home. You can see above that the reverse side has a quote from Helmut Newton “Photography is always a way of seducing”. There were several quotes on the backs of people’s tickets but this one was mine. My wife got Josef Koudelka’s ” The biggest lesson in photography is that from negative we make positive”.

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In my camera bag, 2025

Writing a blog for over a quarter of a century means occasionally repeating yourself and/or celebrating anniversaries of things. Back in 2011 a regular follower of my posts used my “Ask Me a Question” link to enquire about what was in my day-to-day camera bag. I duly wrote a post called “In My Camera Bag” in which I listed everything that was in my go-to bag of choice at the time. A couple of Canon EOS5D MkII bodies, two 580ex II flash units and 16-35, 24-70 and 70-200 f2.8 L lenses lived in a LowePro Stealth Reporter 650AW bag along with a Mac laptop and quite a few accessories. That was a heavy bag.

Fast forward seven years to 2018 and my much loved and rather ancient Domke J3 camera bag (pictured above) was filled with two EOS5D MkIV bodies, 16-35, 24-70 and 70-200 f4L lenses with two 600EX RT II flashes. By this time my laptops were carried in a tiny little rucksack because I’d been through some bad experiences with a spinal issue and didn’t necessarily need to carry it all of the time. I’m not sure when I bought the bag but it was well over twenty years ago and when I wrote the 2018 remix version of what I carried in my camera bag of it was already my well-worn favourite.

So, a further seven years on, here are some short updates on a few bits of kit that still spend a considerable amount of time in the same old bag.

  • Canon EOS R6 MkII camera bodies
  • Canon EOS R5 MkII camera bodies
  • Canon RF 14-35 f4L lens
  • Canon RF 24-105 f4L lens
  • Canon RF 70-200 f4L lens
  • Canon RF 100-500 f4.5 – 7.1 L lens
  • Canon EL5 Speedlites
  • Canon ST-E10 Speedlite transmitters

Out of the two R6 MkII and two R5 MkII bodies there will be a total of two in the bag at any given time. I leave it packed with one of each just in case I get a short notice job and need to run out of the door but I rarely work that way and so I will pack the right bodies for the job before I leave and keep the others in the rolling bag with the rest of the spare kit because not all of it can be accommodated at the same time, and even if it could that would be a seriously heavy bag. Laptops live in small rucksacks or a Think Tank rolling bag depending on what I’m doing. I’m not going to mention the other gear sitting in a cupboard in my office but there are a few camera bodies, a dozen or so lenses and more flash units than any sane person should own. So, if you like the shortened version of the kit review – it goes like this:

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Workflow… again

Having just finished three weeks editing other people’s pictures at Wimbledon and a further six days doing the same for the Open Championship golf the topic of workflow and getting pictures to look good, be accurately captioned and delivered efficiently wasn’t too far from my mind when a conversation with another photographer prompted me to write this. In the last month (and in the last eleven or so years that I’ve edited other people’s work) I’ve edited files from all of the professional cameras from Canon, Nikon and Sony. On a less intensive basis I’ve edited pictures shot on Leica, Fujifilm and Hasselblad and probably a few others that I can’t recall right now and so anything I say is based on the notion that a good workflow isn’t all that dependent on what types of files you have.

I’ve said it before and I will, no doubt say it again but having a good workflow is absolutely central to the business of photography. In fact, when I speak to colleagues and friends most will excitedly tell me that their personal workflow is as good as it gets and surprisingly few will openly accept that they might just be able to do it that little bit better with a bit of training and practice. Personally I lean the other way; spending way too much time looking at different software, trying different techniques and generally trying to get my workflow a few percentage points better.

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Recent portrait work: The Bishop of Salisbury


A couple of weeks ago I shot some portraits of The Bishop of Salisbury, Rt Revd Stephen Lake, in the grounds of Salisbury Cathedral. The first few frames were for part of a release to the press along with an extended caption explaining a conference he had hosted that was exploring the relationship between the Church of England and Gypsy, Roma and Traveller communities. I also shot some of the outdoor activities that went along with the event.

The rest of the images of The Bishop were for stock and I really enjoyed shooting them. He and I had met before, we are almost exactly the same age and grew up just a couple of miles from one another and so it is no surprise that we got on pretty well. As we chatted I shot pictures. What you see above is fifteen of the edited frames including a much needed headshot but as I carried on shooting I got closer and closer to what I really wanted to achieve – which is the frame below.
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A quarter of a century of blogs
I shot this portrait on a Kodak/Canon DCS520 in April 2000 and posting it online was the start of something that has been part of my life for twenty-five years. ©Neil Turner/TES.

I’ve been blogging now for over a quarter of a century. I’m not directly aware that it has brought me much work as a photographer but it has definitely led to some interesting teaching gigs and quite a bit of consultancy too. Most importantly, it has given me an outlet for what I want to say, a great deal of satisfaction and a profile within the industry far higher than I would have ever had without it.

Back in the year 2000 I didn’t know that I was blogging because I had never heard the term. The word ‘blog’ entered my consciousness during a discussion with a good friend of mine who couldn’t understand why I hadn’t monetised my monthly posting of technique and opinion pieces on my website. He pointed out that other people were doing it and asked why I wasn’t? That would have been in, or around, the beginning of 2004. There were a couple of reasons; the first was that I didn’t own the copyright to the images that I was posting and was only able to run the website with the permission of my then employers. The second was that I didn’t want commercial factors to influence what I posted and when I posted it – something that I imagined would take the fun out of it.

The website had evolved from something that I had started using members.aol.com webspace and a very basic web design application that they provided free of charge. That would have been in early 1999 and every month I was uploading between six and ten of the most interesting images that I had shot in the previous twenty-eight days. I learned quite a bit of html coding and moved to some professional web design software, my own domain and some rented web space as dg28.com was born in a very different form than it exists today.

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I’m sorry Elinchrom, I hate to do this, BUT…

I’ve lost count of the number of times I have raved about the various incarnations of the Elinchrom Ranger Quadra and Quadra ELB 400 flash units that I have owned and used for fifteen or more years. At the end of 2023 I named it as “my favourite piece of old equipment” and in 2013 I wrote that the development of the lithium ion battery for the Ranger Quadra was one of the best things that had ever happened to my kit.

Those things are still true. I still use the gear on an almost daily basis and even a quick outing with some very nice Profoto kit didn’t make me want to switch. I used capital letters for the word BUT in the title of this post because I am really disappointed with Elinchrom.

I have used their gear since I left college 1986 and I have always appreciated their service and the way that they supported old equipment. It hurts to have to call them out on this point but less than seven years after buying my last Quadra ELB 400 pack and battery they no longer sell, service or even support the Lithium Ion batteries that the whole system depends on.

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iOS editing update
Screenshot of Lightroom on an iPad Mini.

A couple of months ago I posted the latest update about my long-term quest to be able to do quick edits and add full captions to my Canon images using Apple iOS devices. At the time I was using my iPhone because the apps that I wanted to use weren’t compatible with my old 2017 iPad Mini. Then Apple released a significantly updated version of the smaller iPad and I dived in and bought one (256 Gb wifi + Cellular model).

Bingo.

I am delighted to announce that not only do I have a shiny new iPad but that I have pretty much nailed down my iOS workflow whilst using it. I went for the Mini simply because I like the size. It is easily hand-holdable, is significantly bigger than the largest iPhone and it fits in my Think Tank Press Pass 10 bag which has become a very regular part of my day-to-day shooting kit. It’s clearly not as powerful as the larger and more expensive iPad Pro models but it fulfils my requirements rather well – even when working with the larger files from the EOS R5 MkII.

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On holiday with my compact camera
Venice, Italy, during the Biennale. 09 November 2024. ©Neil Turner

Every time I get a new compact camera (and there have been quite a few) I come onto my blog and talk about it. Just under a year ago I got the Canon Powershot G5X MkII to replace my G7X MkII and took it on a family holiday to Venice. Earlier this month we were back in the same city with the same camera but this time the vacation was all about art. The Venice Biennale and all of the fringe shows that happen across the city are great places to see a lot of good, bad and occasionally indifferent art and, for a photographer, it’s a great place to see people interacting with it.

To save you going back and reading last year’s post I swapped from the G7X MkII for three basic reasons:

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