personal

Here we go again – version 9.0 of my folio

When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.

The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)

That was the year that wasn’t…

The Elf on The Shelf or the Naughty Elf had a big year…

As we reach the end of the year that very few will remember with even the smallest degree of fondness I wanted to just compose a note to thank everyone who has read any of my posts, got in touch with me or even been one of the tiny few who have put work my way. So many of the events where I should have been working as a manager, an editor or a photographer were cancelled or postponed and the work that I’d normally be doing in schools and with corporate clients was pretty much wiped out.

New work was replaced by old and I have really got on top of my archiving – which has been fun but memory lane isn’t a place where you’d want to spend too much time in this industry and so I hope, along with pretty much everyone else that I know, that the new year brings some sort of resolution to the pandemic and frees us all up to get out there and pick up where we left off in March. I know that a lot of my news photographer colleagues have been as busy as ever but very few of them have been doing things that have brought them much joy.

2020 is almost done and 2021 will be upon us in a few short days. Stay safe, stay well and stay positive.

One hundred and eighty portraits later

A section of 180 of my portraits posted to Instagram during my project.

After six months and 180 portraits posted to Instagram and Facebook I find myself at a point where I’ve shown enough archive imperfect portraits for now. It’s nearly Christmas and it feels like the right time to hit the pause button on, what has been, a very enjoyable diversion from the woes of the COVID-19 pandemic, lockdowns, restrictions and the lack of new work on offer.

As I sit here and contemplate what has been good, bad and indifferent about posting so many of my favourites from 1988 to 2008 the temptation to perform some sort of statistical analysis has been quite strong and the parallel temptation to draw conclusions from the feedback has been stronger still. For now I am going to settle for some general impressions and some feelings that have struck me during the whole process so here’s a bullet-pointed list of some of them: (more…)

Adobe Camera RAW 13 – not so bad!

A few months ago I wrote a blog post criticising Adobe for making wholesale changes to the Camera RAW interface with Photoshop and Bridge. It appeared that they wanted to make it more like Lightroom and I questioned why they would do that given that there are relatively few crossover users of the two very different (but identical under the hood) RAW conversion options. If you want to go back and read the whole post then you can on the link above but in summary I said the following;

… my other main gripe with Adobe is to ask why call this an update move from .2 to .3 and not actually call it what it is with some decent warnings – as a user this feels like a whole new version and I would like to have had some warning before having to spend time (which I luckily have right now but that’s immaterial) getting to know the new interface. At the end of the day my workflow isn’t going to change much, if at all. Equally, this is still a more suitable application than any of the others I have tried and tried again – including Lightroom. I have challenged myself to work with the default version of the new workspace to see if it is better because a couple of others have assured me that they prefer it and those are also people whose opinion I would always respect but I have to be honest and say that I’m not looking forward to the next big edit

I have been working away with various updates and then, along with the 2021 version of Photoshop CC which appeared a few days ago, version 13 of the Camera RAW module landed and I am able to pronounce myself reasonably happy. That’s for two reasons really, the first is that I have been plugging away learning how to work with the new interface and the second is that I have gone over to using more and more keyboard shortcuts – which makes so much sense given that I have always been a fan of them in other applications such as Photo Mechanic. (more…)

Imperfect Portraiture

Pascale Allotey, Professor in Race and Diversity at Brunel university in west London.© Neil Turner/TSL November 2005

I have had the title for this piece rattling around in my head for several weeks now but before I dive in I want to explain that it is about a certain style of editorial portraiture that appeals to me. It is equally important that nobody reading this thinks that I believe other forms of portrait photography are somehow inferior or are “less portraity”.

I suspect that every sentiment that you will read in this mini-essay will have been expressed somewhere on my blog at some point in time. After all, if you did a search for the word “portrait” on this site you would get hundreds of hits. From explaining the anguish of editing your own work to my definition of what is and is not a portrait. I have written about why this kind of photography speaks to me so loudly and so consistently but I have wanted for some time to bring all of those thoughts and impulses together. As always, there are two reasons for doing this; the first is to stimulate thought and debate amongst those who care to read it and secondly to help me further clarify my own opinions and, by doing so, make my own work better.

Of course there isn’t a strict set of rules about what constitutes a portrait. Back in 2011 I wrote this; (more…)

Adobe Camera RAW 12.3 – ouch!

My workflow has revolved around Photo Mechanic and Adobe Camera RAW for a lot of years now and, bit by bit, it has evolved along with those two key applications to become a slick and well-ordered professional process. Adobe have posted regular updates to their RAW converter pretty regularly and those updates have almost always been logical and very welcome. Occasionally they have made quite big changes and I have welcomed pretty much everything they’ve done. Until now.

The latest version, 12.3 wasn’t flagged-up in advance as being a major change and so I (stupidly) hit OK on the update without giving it too much thought. I was more than a little surprised when I opened my first set of RAW files to edit them because what I was seeing were a whole raft of changes that were, in my opinion, not needed and/or not wanted. (more…)

Archive surfing

The photo that became the first technique example on my first website in April 2000. ©Neil Turner/TSL

Like so many of my colleagues the Covid 19 Pandemic has robbed me of almost all of my work. 2020 was looking to be a great year with lots of interesting projects but from the moment that the first lockdowns started to swing into action across the world my assignments and projects started to get postponed and cancelled at a very rapid rate. As I sit here I have nothing booked for the rest of the year.

The other thing that I have in common with a huge percentage of those colleagues is that I have been giving some more attention to my archives. I had several months off in 2017 and so my digital images are already well protected and catalogued so I have been looking at transparencies, negatives and back ups of my old digital life. (more…)

I need people in photographs

Children play football with an improvised ball in the Copperbelt of Zambia. ©Neil Turner/TSL.

Like most members of the photographic profession, the bottom has dropped out of my business and any and all photography bookings between the first week of March and the end of July have been postponed or cancelled. Not my fault, not my client’s faults either so I’m being pretty calm about it and getting used to being in lockdown. Lots of my news photographer friends are out there day after day coming up with fabulous picture to illustrate the only story that anyone is interested in – the Coronavirus Pandemic – and I applaud them warmly. That applause goes for the health workers, retailers who are at work, the emergency services, delivery drivers, refuse workers and every other key worker who is there doing their jobs to keep society ticking over and, more importantly, safe.

Again, like most members of the photographic profession, I am looking back through old images of mine to remind myself what it is about the job and making the pictures that I love so much. I’ve also been looking through some of the hundreds of photographic books that line the shelves in my home and it has taken almost no time at all to re-affirm what I already knew: (more…)