iPhone

Using the Canon W-E1 wifi adapter

When Canon announced the W-E1 wifi adapter for the EOS7D MkII and the EOS5S and 5SR I was decidedly underwhelmed for two reasons;

  • The first was that it was not backwards compatible with the two EOS5D MkIII bodies that I had at the time.
  • The second was that it took away the ability to record to two cards when it was in use.

At the time I couldn’t see any advantage over any of the SD based transmitters from Eye-Fi or Toshiba amongst others. I didn’t buy one and I couldn’t see myself buying one either.

Fast forward ten months and my need to use remote cameras controlled by an iOS devices has grown and I only had one – the wonderfully simple Canon EOS6D. I didn’t want to use either of the EOS5D MkIV bodies as a remote and so I bought the W-E1 adapter to use in my EOS7D MkII.

I know that having used all sorts of wireless devices with all sorts of Canons probably made this dead easy for me but from taking the SD card out of the packaging I was up and running in under five minutes. Put simply, this device is really easy to use. It doesn’t do very much – it just allows you to browse the images on the camera’s Compact Flash (CF) card or to control the camera from your phone, tablet or computer. I got it working, clamped the camera in place, walked away and started taking pictures. Easy. I don’t think that it will be in the camera every time I use it – my love of having the files written to both memory cards easily trumps the need to be able to use the W-E1’s wireless functions most of the time but it will live in the bag with the 7D MkII at all times.

Shot using Canon EOS7D MkII camera remotely controlled via a smartphone app and then downloaded to the phone before being edited using the FSN Pro app and uploaded to Dropbox direct from the phone. © Neil Turner, May 2017

The thing about owning and using all of the various wireless options is that I find myself doing more and more work where getting images away quickly as well as shooting remotely. Versatility has gone from being a useful day-to-day option to being an absolute necessity. Spending yet another £40.00 inc VAT to give me more options hurts but, less than two hours after buying the accessory, it has pretty much paid for itself.

Best light of the year

©Neil Turner. Fistral Beach, Newquay, Cornwall.

It is almost inevitable that when the best light of the year so far offers up a number of creative possibilities the only camera you have with you will be the one built into your phone. I don’t mind admitting that this has always filled me with dread and I have often missed the picture that I know I should have taken because the phone couldn’t do what a ‘proper camera’ can.

We were away in Cornwall last week for a few days and had just arrived at our hotel after the drive from East Dorset when we decided that a stroll along the beach before dinner was in order. We had been to Fistral Beach many times before but never really experienced the magic of the sunset there and when the light started to dip it was obvious that we were going to be treated to something rather lovely. These days I have an iPhone 7 which has a pretty good camera. I normally use it for snaps, record shots and general visual note-taking but when I needed it to produce the results using it with the 645Pro app allowed me to get exactly what I would have wanted if I’d had my Fujifilm X100S with me.

I was so pleased with the picture that I approached the man who features in it and sent him a copy whilst still on the beach. Photography is still a joy.

First impressions of the EOS5D Mark IV wifi

5d4_close_up

The Canon EOS5D Mark IV – the first professional DSLR from Canon with a fully functioning wifi capacity built-in.

When Canon announced that they had added a wifi capability to the new EOS5D Mark IV I was simultaneously surprised, delighted and apprehensive – emotions which have in turn given way to a sense of relief. Wifi was a feature that many photographers had asked manufacturers to implement over a number of years and we had always been told that there were technical reasons why it couldn’t be done and that most buyers simply didn’t want it. The rise in popularity of limited wifi in consumer and ‘prosumer’ models told a different story and Canon did the right thing by including it in this latest release.

The surprise element came because very few of the rumours that preceded the announcement of the Mark IV mentioned wifi at all. A lot of those people awaiting the new camera had resigned themselves to another generation of cameras with bolt-on accessories to handle rapid image transmission.

The delight was that I was looking at finally getting cameras that could not only talk to a smart phone or a computer in the way that the Canon EOS 6D already could but to be able to send pictures using File Transfer Protocol (FTP) which is what the majority my clients want and need without the cumbersome WFT units or the increasingly flaky Eye-Fi cards.

The sense of apprehension was that I was worried that Canon would have done half a job and implemented a solution that didn’t do everything that I wanted and needed it to do.

Having had the camera in my hands for five days now I can finally talk about my sense of relief. It works.

Not only that but it works really well.

Over the last few days I have done some unscientific but real-world testing of the wifi built into the EOS5D Mark IV and compared it to the EOS5D Mark III and EOS7D Mark II both using the WFT-E7 transmitters that have been am almost permanent feature in my working life for the last couple of years. Put simply and in ‘normal’ use the FTP transmissions from the Mark IV are as quick and as reliable as the older cameras with their £600 bolt-on transmitters. Setting up FTP on the Mark IV is in many ways a lot quicker thanks to the excellent touch-screen option on the camera and getting the wireless operating from getting the camera out of the bag is way quicker.

One of my big fears with the new set up – based on various manufacturers telling us that metal bodied cameras might block the signals too much – was that the range of the transmitter would be too short and so I went to a place where there would be a lot of wifi congestion and ‘pollution’ to test it out. Coffee shops in busy shopping centres have loads of wireless traffic at lunchtime – especially when the students roll in and so I went to one with no fewer than twenty-three different wireless signals and I set the cameras to transmit over my own Netgear 4G mifi unit.

With the mifi in my pocket and the camera in my hands, there was no discernible difference in signal or time sent to send images between the Mark IV and the WFT-e7 equipped 7D MkII whereas the 5D Mark III was a little slower as always which I have always chalked up to the slower USB connection to the transmitter.

I tried the same test connecting each camera to my Apple iPhone both using it as a personal hotspot and to transfer pictures to the phone in the direct mode and, again, there was no real difference that I could see.

When I got back home I tried to see what the maximum range was to get a good signal between camera and 4G mifi and here I found a difference. The Mark IV range was completely effective up to about 2.5 metres whereas the 5D Mark III with the WFT-E7 was around 4 metres. The plastic top plate on the EOS6D was supposedly there to allow greater wifi range and in my admittedly un-scientific tests it appears that you do get a little more range.

At this point it might be worth remembering that the Mark IV is fully compatible with the WFT-E7 (as long as you update the firmware in the transmitter) should you need the extra capabilities – which include greater range, more preset FTP channels and the built-in Ethernet. All of that, when added to the WFT-E7 having it’s own LP-E6 battery, make it worth considering having the separate transmitter for those odd occasions when you need them. I already own three of them and so will definitely be keeping one or two for those very eventualities.

Having conducted all of the mobile testing with a three year old iPhone 5S I took delivery of an iPhone 7 part way through the week and the speed with which connections are made and images transferred with the new phone is dramatically better which is worth keeping in mind if your work involves transferring pictures to the phone and/or controlling the camera through Canon’s smartphone app.

Close up of the main menu screen that allows you to choose which wifi function you want.

Close up of the main menu screen that allows you to choose which wifi function you want.

Exactly how you set your system up for rapid transfer of images from the camera over wifi can make quite a bit of difference to how it performs. Most of my quick transmissions are for various corporate and editorial clients to get my pictures onto their social media and web platforms almost as quickly as they can when shooting pictures on their own smart phones. For that they need medium sized JPEGs at best and so I tend to set my cameras up to write the RAW files to the Compact Flash card and medium size/quality JPEGs to the SD card and then transmit only the JPEG with basic IPTC metadata attached.

Whilst most of my usage for the wifi built into this camera will be based around various FTP servers I will be using the direct transfer to smartphone, tablet and computer options a fair bit too. I’ve had a fair bit of experience with Canon’s apps over the last few years and I’ve decided that the best way to use the phone and tablet apps is to set the apps up to display images based on their rating rather than having to scroll through hundreds of images on a phone screen to find the right one. By using the ‘Rate” button on the camera to add a single star to selected pictures I can shortcut the whole searching on the phone process greatly. When I review the pictures on the camera’s LCD screen (and the screen on the Mark IV is beautiful by the way) I can use the rate button to tag them as I go through. Once connected to the phone those tagged images are right there at the top of the page saving me loads of time. I find that I only need one-star or no-star options to make this work really well too.

I discussed the idea of getting images away quickly on a blog post last year https://neilturnerphotographer.co.uk/2015/08/24/getting-pictures-away-quickly/ and having the Mark IV just adds to my choices. It takes the WFT-E7 if I need the extra features and it accepts Eye-Fi cards although I don’t see any need for them any more.

There are already dozens of reviews talking about image quality, video capabilities, auto-focus, speed of use and the new button on the back of the camera and I’m not going to add to those except to say that in another blog post I described the Canon EOS5D Mark III as the best camera that I have ever used for the work that I do. That statement is no longer true. The Canon EOS5D Mark IV has superseded it in every way that I can think of.

Thinking on your feet

My shadow using a monopod to get a high angle picture. March 2016 ©Neil Turner

My shadow using a monopod to get a high angle picture. March 2016 ©Neil Turner

I was out shooting a job yesterday and needed to get quite a bit of extra height. The best place to shoot the picture from was on the side of a grassy hill which was very wet and the client’s health and safety policies meant that it wasn’t going to be easy to use a step ladder – whilst building a tower was outside the budget. In an ideal world a proper pole-cam or even a drone would have been the best option but the light was right and I needed to improvise.

Having used the Canon EOS6D as a remote via their iPhone app once before I was reasonably confident that my idea would work but the app has been replaced/updated and it meant learning the new one on the job. I had a basic monopod, a tripod head and a Manfrotto Super Clamp in the car but no proper way to attach the phone to the monopod to use as a viewfinder and remote release. With a proper pole-cam you rest the base of the pole on the ground and it is pretty stable. You also have a cradle for the phone or even a tablet if you want to go bigger. I had to tuck the foot of the monopod into my belt to get enough height but I had about an hour so I went into full “1970s Blue Peter” improvisation mode.

The cradle that holds my iPhone in my car was pressed into service and that attached very easily to the Manfrotto Super Clamp. Having extended the monopod to its full height I then attached the clamp to the second stage of the monopod (about eye-level when the whole thing was in use I guessed). Then I stuck the tripod head onto the monopod tilting down a little and put the EOS6D with a Canon 16-35 f4L IS lens on it. Whilst all of this was being done I was downloading the latest Canon Camera Connect app from the Apple App Store.

After a few minutes messing with settings I had the system working. I could use the phone as a viewfinder and a remote release for the Canon DSLR and I set about shooting the pictures without leaving the ground myself. After a minute or two I decided that I needed more height to look down on the subject a bit more and so I tilted the tripod head down a little and when I put the camera back into the air the foot of the monopod was resting on my chest. Even with a camera as light as the 6D I couldn’t hold it up for more than a minute at a time but we got the shot and I only got pointed at (and laughed at) by a small handful of passers-by. I wouldn’t want to have to work this way very often but, having just edited and uploaded the pictures, I know that I have a “Blue Peter”** solution that works.

** Blue Peter was required viewing as a child growing up in the 1970s. They always showed you how to make useful things from odds and ends lying around the house.

My iPhone & not taking pictures with it

iphone_grabThere’s no getting away from two facts:

1. I am a fan of almost everything Apple for the work that I do and the way that I do it.

2. I rely on my two and a bit year old iPhone 5S for quite a lot of things when I’m out on assignments.

The speed of the 4G network and the brilliant array of apps available for all smartphones has changed the way that I do some of my jobs quite a lot in the last few years. Recently I wrote about getting pictures away quickly  and I have also written about the workflow that I use with some of the phone apps and you can see from a current grab of one of the app pages on my phone I have quite a few ways to do similar things.

I’d like to talk in this blog about some of many of the ‘un-sung heroes’ of my mobile life – at least one of which is a very new and a very, very welcome addition to the set up.

The backbone of my mobile image acquisition and transmission system is formed of the Eye-Fi and Photogene apps which have been covered at length before but you can also see plenty of other work related apps on this single screen.

The newcomer (bottom right) is ColorTRUE – an app from X-Rite that allows you to colour calibrate your mobile phone or tablet screen if you have a suitable X-Rite monitor calibration device. Sadly, iOS doesn’t have system-wide colour management (yet?) but it is possible to view your images in the ColorTRUE gallery and see very accurate renditions. They have a partner program to allow other app developers to take advantage of this big leap forward and I hope that others will take advantage of this soon – I’ve just written to the makers of Photogene to ask them very nicely if they would get involved in this very useful scheme.

The screen grab below shows what the app looks like in action

colortrue

Also on the home screen is Easy Release which is a brilliant way to get model releases signed on-the-fly that I’ve been using for a few years. Lenstag is a way of recording and verifying ownership of equipment, Transmit is a fully functioning FTP upload app and the mobile version of WeTransfer is incredibly useful for sending big batches to some clients.

My phone has a couple of dozen apps that are photography and business related apps but last, and by no means least, comes the Dropbox app. I have lost count of the number of times I have been able to send links to clients for images and folders of images that I have stored in the cloud using Dropbox Pro whilst I am literally in the middle of shooting and nowhere near a computer. The Dropbox app is excellent and it really does make having all of my edits stored on Dropbox a great idea. Two minutes or less after opening the app the client has access to their files no matter where I am. So simple and so clever.

I do also use my iPhone for making and receiving phone calls but its use as a portable digital hub for my business has made being out of the office a pleasure.

Reliance on the internet

As photographers we have got used to using a range of web-based technologies to deliver our work to our clients. Most of the time it works and nobody notices how amazing these technologies are. Over the years we have come to expect more and more in terms of bandwidth and speed and we have come to rely on getting good connections to easily accomplish what would have been regarded as time-sensitive alchemy only a few years ago.

On an overseas job last week the client wanted a lot of high resolution Jpegs delivered to them very quickly and their chosen method was WeTransfer. It’s a very good and reliable system in itself but it depends on a half decent internet connection. Sadly we didn’t get that connection and out of sheer frustration I did these screen grabs:

wetransfer

Yes that’s right: one million, two hundred and one thousand, seven hundred and thirty hours to complete a transfer that should have taken about half an hour on a half decent network. In case you are interested that is fifty thousand and seventy-two days or one hundred and thirty-seven years and sixty-five days. A bit slow. The second screen grab says less than a minute but that was also wildly inaccurate as no further data moved.

In the end I had to abandon the ethernet and wifi networks that the client had arranged for us to use and head outside where I could pick up a great 4G mobile signal by tethering to my iPhone and use my roaming package to send the pictures – which took about 44 minutes (by then I had 1.2Gb of pictures). The point here is that now we have come to reply on the internet for almost all of our image delivery it has become crucial that we have multiple ways of connecting to the internet.

Genesis PowerPort Duo 1000

genesis_duo_smallWhen my old Quantum Turbo Z battery died a few weeks ago I was a little bit annoyed. I hadn’t used it that much and I wasn’t that happy about getting another one. I had read several reviews of a battery pack available in the UK under several different brand names including Godox and Lencarta and I decided to investigate. The unit was available at a really good price from Calumet under their Genesis brand and as a member of The BPPA I was able to get a decent discount from the already low price of £125.00 inc VAT. At that price I thought that it was worth a shot and so I extravagantly rang Calumet from Paris where I was working at the time and got them to send the pack and a single Canon Speedlite cable so that my Genesis PowerPort Duo 1000 would be there waiting for me when I got home.

My first reaction was that it was a lot lighter than the Quantum, roughly the same size in terms of bulk and had two ports. It didn’t appear to be quite as well made and the covers on the two ports were feeling more than a little “plasticky” when I had a look at them. I’m never rough with my gear and so this isn’t always a problem so I stuck the battery on charge ready for a job the following day which was going to involve quite a bit of bounced flash.

It charged really quickly (to be fair, it arrived at 2/3rds full anyway) and I gave it a few tests just to make sure that it was functioning and that my decision to not bother reading the instructions wasn’t a huge mistake. All seemed well and it was recycling a Canon 580exII on full power output in a fraction over a second – every bit as quick as my Quantum Turbo Z.

I shot the job the next day and it performed flawlessly. Every frame was lit and the Speedlite didn’t get remotely warm (a danger with the Turbo Z). My investment was looking to be a decent one. There was another photographer on the job with a differently branded version of the same battery and he had a short cable that allowed you to charge any USB chargeable device from the pack. I had a play, it worked and I ordered one using Amazon Prime on my phone there and then.

That was all about three weeks ago and, as luck would have it, I’ve needed to use the battery a few times since and each time it has performed really well. I’ve topped up my iPhone using it too. To be honest, this battery is so light that it gets put into my bag where the Quantum probably wouldn’t have been. To sum up, when compared to the Quantum Turbo that I had been using it is:

  • Cheaper – at £125.00 inc VAT against the cheapest Quantum Turbo at just over £400.00 inc VAT
  • Lighter – at 500g it is than my old Turbo Z (844g) but a fraction heavier than the Quantum Turbo SC (422g)
  • Two ports
  • Optional phone charger cable
  • The pack has a separate battery which you can swap out easily

This appears to be one of the great photo-bargains. I’ll let you know if it fails to pass the durability test over the next twelve months – which is the only potential fly in the ointment. That’s why I went for the Calumet branded one – they have shops where I can go and take it back if it does fail.