Like most photographers my workflow has developed over the years and there are some bits of it that are more to do with convenience and habit than they are to do with efficiency. Cataloguing my archive is definitely something that I haven’t given enough thought to. Well that’s not entirely true; every time I look at Lightroom one of the things that attracts me to it is the cataloguing function that it brings with it. The idea of having an application that does so much and that is effectively free (as I subscribe to Photoshop CC anyway) is a good one but every time I have given it a go, I have decided that it isn’t as convenient at Media Pro as a catalogue. I have had Media Pro in its various forms for a very long time now and it has served me well. Phase One’s decision to stop supporting it has made me look around for an alternative.
Being a long-time fan of Photo Mechanic I have been holding out and waiting for them to bring out a new version of the application that forms the core of my workflow with a cataloguing function. Camera Bits have been saying for years that “it is coming” but I have decided to look around for other options.
A few months ago I was reading a thread on a Facebook photographers’ group that mentioned NeoFinder. I thought to myself “how come I have never heard of it?” A quick search on the web brought up their site and I realised that this was a newer name for the old CD Finder application that I tried and quite liked half a dozen years or more ago. They offer a free trial and I had some time on my hands and so I downloaded and installed it. I made a quick catalogue from about 20,000 old images and I was shocked by how easy it was to use and how good the searches it allowed were. The question popped into my head “why keep trying to make Media Pro work when this is available?” All of my pictures have their metadata intact and I have tried hard over the years to get my captions and keywords as good as I can make them. Moving from Media Pro to NeoFinder was a doddle. The developers even offer a “sidegrade” discount for people making this transition. (more…)
When I’m away from home working as a Photo Editor on big sporting events I like to have a compact camera with me. My relatively recent entry into the world of Instagram has made my desire to have a camera in my pocket/rucksack/bag has grown. Regular readers of this site will know that I have owned and loved quite a few but, having sold all of my Fujifilm cameras, I felt the need to buy a new one.
The list of features that I felt that I needed couldn’t really be filled by one camera and I considered several options before finally making a purchase. Top of my list was probably the Sony RX100 MkV and the Panasonic TZ100 was also on that list but the combination of my familiarity with the Canon system meant that I want for the G7X MkII. The Sony was a little expensive (almost £500 dearer than the Canon) and the Panasonic just didn’t produce the results in the way that I wanted. (more…)
I’m not actually sure why but I have avoided Instagram since it was launched. I am aware that it can be used as a good shop window for photographers and I am equally aware that it can suck hours from your day. The thing that finally made me sign up and dive in was when a third picture editor informed me that they didn’t look at portfolios unless they’d seen an Instagram feed first.
When it happened for the first time I wrote it off as the narrow silliness of a very young picture editor. The second time made me think that the whole industry was going nuts but when it happened a third time I decided that I had to move with the times. Now this isn’t the first time that I have been (too) late to a party. I used Flickr when it first came out but deleted my account fairly promptly before getting back in the saddle a couple of years later. I had perviously used EyeEm as a mini-folio but that appeared to be a waste of effort after several months of putting effort into it. Could Instagram be the answer for me? (more…)
Over the last couple of months I have been looking hard at the whole idea of an iPad and iPhone based workflow for the kind of photography that I do. I have tried to find a workflow that is repeatable and adaptable that could replace my tried and tested (and damned good) workflow on a laptop or desktop computer.
After trying different iPads and iPhones as well as dozens of apps and an endless combination of those apps I have come to the conclusion that there is no way that an iOS device can replace a computer for the vast bulk of my work. There are several reasons for this but the main one is that iOS was never designed for this kind of heavy lifting and the way that you move files around between apps is still pretty painful and that it is even worse with RAW files. Don’t get me wrong, using a fully-loaded top of the range iPad Pro with decent internet connectivity and a keyboard you get really close to a good workflow but by then you have a device costing at least £1,000.00 (and a lot more if you go for the 12″) which weighs and costs almost as much as an Apple MacBook without the access to rock solid made-for-the-job applications. (more…)
Screen grab from Transmit for iOS on my iPad showing a twelve image upload in action.
There are so many ways that I deliver images to various clients these days that I feel that I’m bound to leave something off of this list. The great news for users of the iPad or iPhone to do quick edits of their work is that every single option that I use on the desktop machine is also available on iOS devices;
FTP– I use Transmit on the iPad and iPhone. I also have FTP options inside FSN Pro and Shuttersnitch that can all do a good job but Transmit does it all better.
Email – adding large numbers of attachments on the iPad isn’t my favourite way to send pictures but it works.
Dropbox – The iOS Dropbox app means that I can easily add files to folders on the cloud service and send links to those folders before, during or after the job. It has a very simple interface and works really well.
WeTransfer – I wasn’t very happy when the WeTransfer iOS app went over to functioning as “Boards” – making it a very different user experience from the ever-so-simple desktop version but I’ve got used to it and it works really well.
Photoshelter – The professional image sharing platform has a dedicated iOS app which is fairly easy to use and very functional.
Third Light – This is a niche Digital Asset Management platform used by two of my corporate clients and the iOS app does its job well.
Welcome to the third instalment of my investigation of the best iPad workflow for the kind of work that I do. At the end of part two I came to the conclusion that adding images wirelessly to the iPad (or an iPhone) was the best way to go for me and in the few days since I made that observation I have largely moved towards using FSN Pro to get the pictures to where I need them to be.
I mentioned several times in part two that I wanted, wherever possible, to avoid storing anything in the Apple Photos app without explaining why I am so keen to avoid it. The simple answer is that my normal workflow for several clients involves keeping the original camera filenames intact so that it is possible to follow up at a later date and find them again without having to spend any time looking. Why Apple are so keen to rename every file with the clumsy “img_1234” formula is beyond me. I guess that it must make what goes on inside iOS easier for Apple – if not for photographers. By avoiding the app it is entirely possible to retain the original filename from start to finish. Don’t get me wrong; if I was rushing and getting a couple of quick edits away to a client then I’d happily rename files and/or settle for the img_xxxx option but when there are five, six or more photographs going through then renaming becomes a pain. (more…)