lighting

Marsha Hunt – the contact sheet

Photo: Neil Turner/TSL Education. October 2005.
Marsha Hunt photographed at the home of her friend in St John’s Wood, London

As I get towards 100 imperfect portraits added to my Instagram feed I have had lots of nice messages about the pictures and the stories behind them. Along with those I have had a few requests for more of the ‘contact sheets’ such as the Dennis Healey one that I added to this blog last month. My portrait of Marsha Hunt has had three requests so I thought that I’d so that one first.

When I posted this on Instagram I added the following words;

It is hard to think of actress, model and writer Marsha Hunt without thinking about Patrick Lichfield’s photograph of her taken when she was starring in the musical “Hair”. In October 2005 when I arrived at the flat where she was staying in London I was a little surprised by her baldness but she has the most amazing presence that I forgot about it is seconds. The shoot was fun and she was just about the most professional subject I have ever been asked to shoot. It was tough to choose which frame to post but this one really shows how she was on the day.  #lovemyjob #portraitphotography #archive #locationportraiture #editorial #canonukandireland #digitalevolution #imperfectportraiture  #timeseducationalsupplement

This is quite a wide edit but you can see that we didn’t change locations during the shoot at all. There were two reasons for this; the first is that Marsha had been having treatment for cancer and not been that well so we decided that once we had our location, we would work it. The second is that it wasn’t her home so nothing in the background added much to the story anyway.

The eagle-eyed lighting geeks amongst you will notice that the position and angle of the light changes a fair bit and that’s something of a feature of the ay that I shoot this kind of work – always fiddling with the (normally single) light source and combining it with the ambient in different ways as I go.

Technical notes: All of the lighting was with a single Lumedyne battery powered head and pack with a shoot-through umbrella on some and a 60cm x 80cm Chimera soft box on others. The cameras were Canon EOS1D MkII bodies with 16-35 f2.8L, 24-70 f2.8L and 70-200 f2.8L lenses

Dennis Healey – the contact sheet

Lord Dennis Healey taking a photograph of the photographer. ©Neil Turner/TSL

When I have been posting archive portraits on Instagram and Facebook I have been including a few memories of each job. On more than one occasion I have commented that it was a tough job picking a single frame from a shoot and one of my colleagues contacted me when I posted  a frame of the late Dennis Healey to ask me to post a wider selection from that job. I thought that it would be best to show the whole edit as it was sent to the magazine in the form of a ‘contact sheet’. (more…)

Older than old school…

Equipment and my equipment choices tend to evolve pretty slowly. Way back in the 1980s I was using a lot of off-camera flash on location and that meant either owning and running a lot of extension cables with my Elinchrom mains powered units, buying (or renting) a Norman system or using some basic flashguns (the term speed light hadn’t really entered common usage by then, other than as part of a Nikon model name) to do the job. I came across the Lumedyne range (old school) in the mid 1990s, although they had been around for a while by then. Before that I spent many happy years with my cobbled-together battery powered flash kit which was based around the already long-in-the-tooth Vivitar 285 system. I call it a system because there was a ton of accessories that you could get for it and it had some common connections that meant you could pair it up with almost anything you wanted to.

I mention all of this because I stumbled across a pretty much complete Vivitar 285 kit when I was looking for something else in my many boxes of disused and “may-come-in-handy-one-day” kit. In the box were: (more…)

Location lighting half day workshop in London

Thursday 23rd May at the wonderful Cherryduck Studios in Wapping.

For anyone who remembers that far back my www.dg28.com website started out as a vehicle for me to post updates about the work that I was doing along with some technique examples that I rather pompously called “photographer education”. Well, that was in 1999 and a couple of years later I started doing occasional workshops and lectures about my use of portable flash on location. I have done a lot of talks over the years including a couple on behalf of The BPPA to coincide with exhibitions that were held on the old SS Robin at Canary Wharf. SS Robin attendee Steven Frischling said

“He’s good folks… totally worth the price of admisssion, got off the plane and went right to work with what I learned from you within hours”.  
(Steven had flown from Pennsylvania and was en route to Germany!) (more…)

Theresa May MP – July 2000 portrait

The fifteen frame edit supplied to the newspaper from a seven minute portrait shoot with Theresa May who was the Conservative front-bench spokesperson on education in July 2000. © Neil Turner/TSL

When I published my piece last month about the arrival of the Kodak DCS520 cameras I included an interesting portrait of Theresa May MP taken just over eighteen years ago. Several people – including some picture editors – got in touch and asked to see the whole shoot. It was the second time that month that I had photographed Mrs May which, given that I was working for a group of education titles, wasn’t that unusual back then. As always the interview overran and the time for pictures was severely curtailed. The inside of a Member of Parliament’s private office is rarely interesting and so I went tight with what little time I had. (more…)

August is a strange month

Throughout my 32 years as a photographer August has been something of a “silly season” with little freelance work on offer and very small editions of the papers where I was employed and because of that there has been a lot of soul-searching and career planning done in the height of the English summer.

As July turned into August this year I had been really busy – mostly with editing work but with the odd commission here and there too but as soon as we passed August 1st it all turned quiet again and the annual time for career reflection had begun. This year the plan is a very simple one: to continue to get fitter and to make sure that my regular clients are kept up-to-date with that progress.

One year ago in August 2017 I was in hospital having had some major spinal surgery. Whilst in hospital I spent a lot of time trying to work out what I was going to do for the rest of my career. Of course there was really only one option and that was to get back to freelancing as quickly as possible. (more…)