Not many, I know. I am delighted by the quality of those followers though because they include at least two dozen photographers whose professional and personal work I admire along with a small number of picture editors and commissioners of photography. Sadly, the young picture editor whose comment triggered this project still hasn’t added herself as a follower but that’s probably just as well because out of those sixty-nine images only eight have the hashtag #newwork which I’m using to indicate brand new pictures shot since I established my account. It has been great going back through archives to find the others and I’ve still got a dozen or so #archivephoto options that haven’t been posted yet. (more…)
According to the usually reliable Canon Rumors website there is going to be a new mark 2 version of the Canon 70-200 f4L IS very soon. As regular readers of this blog will know I went over to using f4 zooms for the bulk of my work a couple of years ago and the 70-200 f4 became part of my every day kit. It’s small and light and the image stabilisation is good but the thought of having an up-to-date version of this lens with better (and dare I say it quieter) IS would be something that I’d be really interested in – especially since my back operation last year.
Let’s hope that the rumour is true and that the lens comes in at an affordable price.
In 2008 when I had just left my staff job at TSL I was asked by a reporter working for a photographic magazine about what I intended to do with my career. I pointed out that I had an enormous amount of experience working in schools and universities and that in my time working for the Times Educational Supplement, Times Higher Education Supplement and Nursery World Magazine I had shot pictures in over 3,000 places of learning in at least 13 countries and that it seemed like a “no-brainer” to market myself as a photographer specialising in those areas. Plenty of prospectuses and websites as well as editorial shoots later my tally of educational visits and shoots tops 3,500 and I’m still in love with the genre. The reporter asked what special skills I had that made me good at that part of the job and my response was that if you can’t get great pictures of kids then you really shouldn’t be a photographer because it was “shooting fish in a barrel“. (more…)
It is almost inevitable that when the best light of the year so far offers up a number of creative possibilities the only camera you have with you will be the one built into your phone. I don’t mind admitting that this has always filled me with dread and I have often missed the picture that I know I should have taken because the phone couldn’t do what a ‘proper camera’ can.
We were away in Cornwall last week for a few days and had just arrived at our hotel after the drive from East Dorset when we decided that a stroll along the beach before dinner was in order. We had been to Fistral Beach many times before but never really experienced the magic of the sunset there and when the light started to dip it was obvious that we were going to be treated to something rather lovely. These days I have an iPhone 7 which has a pretty good camera. I normally use it for snaps, record shots and general visual note-taking but when I needed it to produce the results using it with the 645Pro app allowed me to get exactly what I would have wanted if I’d had my Fujifilm X100S with me.
I was so pleased with the picture that I approached the man who features in it and sent him a copy whilst still on the beach. Photography is still a joy.
Everyone knows about the fetish for camera bags shared by most photographers and anyone who has read this blog will know about my own personal one for card readers but there is a third one that has been exercising me of late. I have mentioned it quite a few times over the years and a particular need to have a repeatable set up has led me down this particular equipment rabbit hole once again.
I’m talking about lighting. I’m talking specifically about light modifiers. Those umbrellas, snoots, dishes, soft boxes and hybrid gadgets that you place on the fronts of your flash units in order to control and improve the light. (more…)
When I switched to Canon cameras from Nikon in 1995 the one thing that I missed from my old F4S cameras and my old SB25 flash units was the accuracy and reliability of the Nikon TTL flash. Canon, with all of their promises for the EOS1N and Speedlite 540EZ combination just couldn’t quite match what I had left behind. I have no idea how Nikon managed to get their off-the-film-plane metering to be so good but it was very good indeed.
Coincidentally, it was about this time that I started to use high quality battery powered lights. The Lumedynes that I took delivery of in 1996 changed my professional life and TTL flash became something that I used when I absolutely had to.
Fast forward to 1998 and the arrival of the first decent digital cameras we had (the Kodak DCS520/Canon D2000) and flash took a big backward step. (more…)
When, like me, you have been using a single product successfully for over twenty years it is normally out of a mixture of boredom and curiosity that you have to try out the next “new idea” when you see it. That happened to me a few weeks ago. Having owned and used several of the venerable Manfrotto 029 Lite-tite brackets for so many years I thought that I’d give their new Snap Tilthead with hotshoe a go. For my purposes they will do pretty much the same job: hold a Canon Speedlite flash on a stand with a folding umbrella on those jobs where using other lights isn’t so much of an option. I know that there are dozens of other brands out there but I’m a sucker for certain makes – (more…)