My project to get my websites secure has finally come to an end. None of them now show the “not secure” warning as they all have the correct certificates and https addresses. You’ll notice that I used the plural websites. That’s because I have ended up with quite a few domains and three sites in particular that represent me and my business. It’s a long and complicated story but I have found myself in this position and I had to make a decision about consolidating them into one and have the two “redundant” domains point to the active one or I could just tweak them all, give them enough design similarities to make them work as seamlessly as possible and end up with sites that are good at the job assigned to them. (more…)
Like a lot of my colleagues I have spent time during the COVID-19 lockdowns going through and doing those little jobs from our digital lives that we had been meaning to do. Inevitably, sorting one thing out raises a new problem and so on, and so on until you have come around in what feels like a full circle.
In between the jobs that I meant to do I received an email from a good client of mine suggesting that I should make my original dg28.com website secure. I will explain more about this very soon because there’s a lesson in this for a lot of us. It turns out that getting the right kind of digital certification to make an old-fashioned site written in HTML code is somewhere between really tricky and impossible and so I chose to move it over to WordPress and change my hosting package. The knock-on effect was that my original technique posts from May 2000 to July 2008 became invisible and had to be moved too. (more…)
When I went freelance again in the summer of 2008 I knew that having a strong web-based portfolio was going to be important. I had already been publishing websites for over nine years by then so, on day one, I published something that I thought looked good and which was entirely built by me using Dreamweaver. A few days later I made some substantial changes following feedback from friends, colleagues and a couple of clients. For the next six years I made major design updates at least once a year until I switched to Pixelrights in 2014. Between that point and today I had only done one major overhaul because their system offered exactly what I needed and so it feels rather sad to have had to migrate neilturnerphotographer.com to the Adobe Portfolio platform. Welcome to version 9.0 of my folio.
The move has happened because I wanted speed and features that Pixelrights don’t currently offer. I have kept the old site sitting there in the background just in case they leapfrog Adobe again allowing me to swap back. I looked at so many others before opting for the Adobe option and I feel happy that I have the best one for me at this time. It won’t suit others – especially those who have a need for online sales or storage. For me, this is just a shop window and, in that limited way, it really looks like it is going to work. (more…)
After six months and 180 portraits posted to Instagram and Facebook I find myself at a point where I’ve shown enough archive imperfect portraits for now. It’s nearly Christmas and it feels like the right time to hit the pause button on, what has been, a very enjoyable diversion from the woes of the COVID-19 pandemic, lockdowns, restrictions and the lack of new work on offer.
As I sit here and contemplate what has been good, bad and indifferent about posting so many of my favourites from 1988 to 2008 the temptation to perform some sort of statistical analysis has been quite strong and the parallel temptation to draw conclusions from the feedback has been stronger still. For now I am going to settle for some general impressions and some feelings that have struck me during the whole process so here’s a bullet-pointed list of some of them: (more…)
From time-to-time I repost one of the fifty technique examples that were posted on the original dg28.com website between 1999 and 2008. I have timed this one to go with uploading this particular frame to my Instagram feed as one of the series of archive portraits that I’ve been putting there for well over five months.
The idea here is to have two separate lighting set-ups for one interview portrait without having to constantly move around the room adjusting lights. This interview was with a senior businessman who chaired a body that decided how much teachers’ pay rises will be each year. The reporter wasn’t all that comfortable with me shooting through the interview but it was what the picture editor wanted, so that’s what I did. This job required a bit of quick thinking so that I could get two different set-ups in place. (more…)
It is generally accepted in the world of information technology that there are only two types of hard drive; those that have failed and those that haven’t failed yet.
Evidently that is true but as part of my COVID-19 tidying-up, sorting-out and archiving I have dragged out my plastic box full of “failed” hard drives (some of which date back over twelve years) to see if there’s anything that I can drag off of any of them that I don’t have elsewhere. I didn’t think that there would be because I have been almost anal in my backing-up and backing-up the back-ups for many years now.
I’ve powered them up and connected them to a couple of different Macs and a PC to see what there is – if anything there. Of the old 3.5” drives only one out of nine actually mounted and was accessible but that was a bare drive that I had put into a housing as part of an experiment to see if that was actually a good way to go. It turns out that it is – or at least it would be if USB2 wasn’t so slow. I can stick that bare drive into a faster housing but there’s no useful data on it that I don’t have in at least three other places. (more…)
When I posted a frame from this set on my Instagram feed it attracted a few comments and an email from a colleague asking to see the contact sheet for it. I’m only too happy to oblige so here it is – a sixteen image edit from the job. The words that I posted with it on Instagram were these:
I cannot remember photographing anyone who was more accommodating, nicer to be around and generally more cheerful than television presenter and educator Johnny Ball. In January 2008 when I photographed him in his back garden in Farnham Common, Berkshire it was cold and a little bit damp but we both wanted to work outside and so, after a brief tour of the garden, we chose two spots to shoot pictures. This location was crying out for a big shadow so I used a single battery power flash to light him and create the shadow. He was laughing and chatting right through the twenty or so minutes we were shooting pictures before retreating indoors for coffee and warmth. (more…)
I’m pretty sure that everyone is fed up of hearing that work has dried up, incomes have suffered and how frustrating it is being a creative at the moment. I’d like to say that the work has started to flood in again but that wouldn’t be true. Happily a couple of clients have picked up the phone and booked some work and so I thought that I’d show one of the most recent bits of imperfect portraiture and talk a little bit about it.
The young man featured in this set of portraits is a Physiotherapy student in the final year of his degree and I was asked to go and shoot a (socially distanced and safe) portrait of him to go with a piece about Black History Month to accompany an article about people in the professions and how they have experienced racism and discrimination over the years. There has been an awful lot said and written about whether this kind of work should be shot by BAME photographers and I have an open mind about the subject but I felt that I’d do a good job and so I went along to meet him and we walked to a park very near where he lives in Hampshire and where he had been exercising whilst his gym was closed. (more…)