London

I chose the MacBook Air M5 for my work
My new Apple MacBook Air M5 arrives on launch day. 11 March 2026. © Neil Turner

A few months ago I wrote a blog post about the replacement cycle that I have been through since my very first laptop arrived in 1994. It’s complicated because for the last fifteen or so years I have always had at least two laptops on the go at any given time. That has tended to mean a “full-sized” MacBook Pro for the serious editing sessions and a MacBook Air for lugging around with me on jobs. Supplement that with a desk based computer and I’ve always been pretty well equipped.

About six hours after I posted which M4 chipped MacBook I was going to get Apple announced the M5 series of processors and I decided to wait a little while before committing my hard earned cash. I’ve watched the reports about the various configurations of M5 MacBook Pro models but in the end I decided that my need for a lightweight Mac was greater and ordered an M5 powered MacBook Air for delivery on the first day they became available. That was a couple of days ago and so far (and it really is early days) I am delighted with it. I opted for a 13″ M5 10‑core CPU, 10‑core GPU, 16‑core Neural Engine model with 24Gb of RAM and a 1TB hard drive and, as you can see from the photograph above, I opted for the silver finish over the other options as it looks less conspicuous.

After setting it up from a Time Machine backup on a fast SSD external drive and going through and swapping licenses around to enable everything to work my new Mac was ready to roll. “So how is it going?” I hear at least one of you asking…

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Calm, confident and in control

Dame Janet Baker operatic mezzo soprano. January 2008. ©Neil Turner/TSL

In my career (39½ years and counting) I have shot a lot of portraits and probably as many headshots. I’m not going to go back over my definitions of either or the subtle differences between them right here but when I point my cameras at the subjects there’s one question that I get asked. A lot.

“How should I look?”

For the first bit of my career I didn’t have a stock answer so I would often turn the question back on them: “How do you want to be seen?” It worked sometimes, occasionally failed miserably but mostly solved nothing. “Just relax and pretend that there isn’t a big bloke with a big camera and a few lights pointing at you” was never going to become the simple and snappy response that I required. It didn’t even worked on the few occasions that I tried to inject some humour with it.

I started to make mental notes about who asked the question, what kind of person they were and one thing started to become really obvious – those who had been photographed professionally a few times before rarely asked whilst those who hadn’t often did. Not entirely surprising, but interesting nevertheless.

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The laptop cycle

I’ve had laptops since the mid 1990s and I have used each of them until they were no longer capable of doing their job quickly and efficiently. Most of that work has involved editing photographs and the vast majority of the time those edits have been completed away from the office. The title of this post is “The laptop cycle” and I called it that because my needs from a laptop vary over time. Things are changing again and it appears that I am just rotating into a period where I am doing a lot of editing on the road.

For the last couple of years I have either been uploading direct from my cameras and then doing a considered edit when I am back at my desk or doing some very simple and quick edits on my 2021 M1 MacBook Air. I bought it as a back up for a fully loaded 2017 MacBook Pro and to have as a lightweight travel companion. In 2022 I invested in an M1 Mac Studio for the office and the older MacBook Pro (which still works fine) was relegated to being a back up itself. The 2017 machine which felt relatively lightweight when I bought it now feels pretty cumbersome and so I haven’t carried it on a job since early in 2021.

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A moment in time that I doubt I will ever forget
Photo: © Neil Turner for Lambeth Palace.

For well over two years I have been carrying out assignments for various institutions within the worldwide Anglican Communion. I have blogged before about a couple of the events and trips but mostly I have been carrying out the work quietly and very much enjoying it. I’ve lost count of the plane journeys taken, countries visited and extraordinary people that I have worked with and met but it was a simple service earlier this month that might just be the one that remains in my memory for the longest.

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He’s making a list…

He’s checking it twice… and so on. Yes, Santa Claus is coming to town very soon.

There’s a serious point here, though. As a self-employed freelance photographer working with and for your clients you really cannot afford to forget anything. We’ve all done it and I have been a little more than fortunate because it has never ruined an assignment. When I was younger I used to be amused by the number of lists that my wife would produce both for work and in our home life. I learned my lesson and now lists form a big part of my existence too. If anything is part of an assignment then it has to appear in at least one list.

From the obvious shot lists that clients give me outlining what they need through packing lists for clothing and toiletries to the duplicate lists of equipment and serial numbers or the even more bureaucratic (and expensive) carnets that customs in so many different countries require (thanks Brexit) I have come to rely on lists to make my jobs go smoothly.

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Canon EOS R5 MkII – one month in


A couple of months ago I mentioned that I was due to take delivery of my first Canon EOS R5 MkII camera body. They are in great demand and the waiting lists at just about every retailer are pretty long and so I was delighted when mine turned up a little over a month ago. When work permitted I got down to the nerdy business of getting to know everything about it. Of course the menus were very familiar to my other Canons but different enough that they needed a few hours of study. The layout is also similar enough to my much-loved EOS R6 MKII bodies that the camera worked ergonomically from day one, hour one and pretty much minute two.

Having two different formats of memory card in the same camera has never been ideal and once again we have SD plus CF Express B and so it took a few minutes to decide how I was going to shoot making the best use of the two cards. In the end I opted for JPGs to the SD card and RAW files to the more robust (and larger capacity) CF Express card. Pretty much every other function is set up to match my existing cameras but it was the way that you set up and use FTP direct from the camera that took the longest to get my head around and become happy with.

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Another look at editing on iOS mobile devices

Back in February 2018 I concluded that I had failed to develop a decent workflow for the iPad or iPhone and that if I had the time I’d come back and continue with the quest. Since then I’ve occasionally used versions of my previous workflow and have dabbled with new options as they have come to my attention. Some six and a half years later I bring good news if you shoot with Canon and don’t mind paying for useful applications on subscription.

With the help of Canon and Adobe I think that I have now got a usable and developing workflow for importing, editing, captioning and transmitting images from my iPhone. All of this is currently only possible on my phone because my iPad is a bit out of date and cannot load one of the key applications. Apple announced a new version of the iPad Mini this week which prompted me to post this update.

Let’s talk about what has changed to make me so positive about what’s now possible:

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It’s that time of year again
Beautiful trees in the grounds at The All England Lawn Tennis Club. Wednesday, 26 June 2024. ©Neil Turner

Every year since 2014, apart from 2020 when we were locked down and the Championships didn’t take place, I have spent a few weeks in the summer working as a photo editor at Wimbledon. It’s that time of year again and I am almost a week into this year’s contract that takes me through until the middle of July.

As a photographer, editing the work of other photographers is a great way to refine your skills. Getting captions right quickly, working to a tightly defined and well-honed workflow with six other editors is something that I think a lot of my peers could learn a great deal from.

I still pop out with a camera on a regular basis and editing my own images when the working day is over is something that I enjoy doing but from 8am until 5pm (and maybe a bit longer on busy days) I will be working as a small cog in a big machine to deliver an amazing set of pictures.

Sign makers create a new sign showing visiting photographers how to get to the workroom that I am spending so much time in. Wednesday, 26 June 2024. ©Neil Turner