workflow

iPad workflow part two

Apple’s Lightning to SD Card and USB3 to Camera adapters

A few weeks ago I promised to keep working on my iPad workflow and keep readers of this blog up-to-date with my thoughts. Lot of other things have got in the way lately but here is the second instalment. I’ve decided to break the whole process down into four parts:

  • Getting the images onto the iPad
  • Toning and captioning them
  • Getting the pictures to where they are needed
  • My conclusions and (hopefully) a settled workflow

The accessories that I’ve used to import images from memory cards onto an iPad for photo editing.Because I’m vaguely logical, I’m going to tackle them in order and so I’m going to outline the ways that I have looked at getting my pictures onto the iPad. Because this is an examination of the possibilities I’m going to consider all of my options and because I’m a Canon user I will tend to lean towards the options for EOS cameras although much of what I’m talking about is not make specific. I have experimented with several ways to get the pictures onto the iPad and I’ve tried all of them as JPEGs and RAW files too: (more…)

Customising your Photo Mechanic IPTC interface

This could very well be the single most “niche” blog post that I have ever written but I found it incredibly useful and so I thought others might too. If you aren’t a Photo Mechanic user already, bear with me because it might just convince you to have (another) look at what, for me, is an indispensable piece of software.

When you open up either a Stationery Pad (best for bulk captioning) or click on the IPTC Info tab (best for editing a single caption) the default views show dozens of fields. Most of those fields will have little or no use for basic image captioning and some of them will have very specific uses for very specific clients. Recently I’ve been doing a lot of image editing and I have found that different clients have very different needs and because of that I want the IPTC interface to look different for each client. The great news is that in Photo Mechanic you can customise the interfaces to a very high degree. You can choose to:

  • Hide or remove fields
  • Change the order in which they appear
  • Group them in any way you wish
  • Change the labels on the fields
  • Change the size of the boxes of some fields

Once you have set up your custom ‘look’ you can then save that look and swap between any number of looks depending on the work that you are doing. You can, at any time, swap back to the Photo Mechanic default and create new versions of the interface. (more…)

Work in progress – an iPad workflow

Whilst I’m not able to be out shooting I have decided to take a serious look at the workflow options using an iPad or even an iPhone and to see whether they really can replace a lightweight laptop in my working life. I have even bought a new iPad Mini 4 (already upgraded to iOS11) because I’m sure that I will be using the tablet for some form of mobile editing. Should you be seeking wisdom and a fully-formed solution I’m prepared to stick a plot-spoiler in here and tell you that it is still very much a ‘work in progress’ and that I don’t have an answer for you. Yet.

My starting point for this is having used my phone as an occasional method of getting pictures away quickly – mostly for clients to be able to use my pictures in their social media and on their websites instead of their own pictures taken with their phones and tablets. If you are prepared to work with JPEG files then this isn’t too tricky, but what if you want to base everything on a RAW workflow? Not so simple?

I know that a lot of photographers have worked out their own workflows for using iPads as their principal location editing devices. I have been trawling blogs and YouTube videos trying to get my head around how and why they have decided to go down this route and the fact that several photographers that I respect and even admire have gone this way means that it has to be a serious option for professional editorial and corporate photography. A lot of the same people, driven by a desire to reduce the weight of their kit, have also gone to mirrorless camera systems.

As part of my search I’ve used a LOT of different apps. Amongst others, and in no particular order: Lightroom, FSN Pro, Shuttersnitch, Marksta, PS Express, PicturePro, Transmit, Affinity and the sadly no-longer-supported Photogene4. These range from Lightroom being free with the right Adobe CC subscription to a chunky £49.99 for PicturePro.

So here is what I do know: (more…)

Using the Canon W-E1 wifi adapter

When Canon announced the W-E1 wifi adapter for the EOS7D MkII and the EOS5S and 5SR I was decidedly underwhelmed for two reasons;

  • The first was that it was not backwards compatible with the two EOS5D MkIII bodies that I had at the time.
  • The second was that it took away the ability to record to two cards when it was in use.

At the time I couldn’t see any advantage over any of the SD based transmitters from Eye-Fi or Toshiba amongst others. I didn’t buy one and I couldn’t see myself buying one either.

Fast forward ten months and my need to use remote cameras controlled by an iOS devices has grown and I only had one – the wonderfully simple Canon EOS6D. I didn’t want to use either of the EOS5D MkIV bodies as a remote and so I bought the W-E1 adapter to use in my EOS7D MkII. (more…)

RGB and me

I get involved in a lot of discussions about the finer points of photography both online and in person. One of the most common this year has been the about choosing which RGB colour space we should all be working in. The truth is that there are a number of variables which, between them, should point you in one direction or another. There are plenty of RGB colour spaces but the main two are Adobe RGB and sRGB – mainly because these are the options you have when shooting with most DSLR cameras. There are a couple of others (Colormatch and ProPhoto) that offer wide gamuts and some real technical advantages but, as I hope to explain, this isn’t necessarily helpful. More isn’t just a waste, it’s a potential problem.

Ideal Worlds

In an ideal world we would have cameras, viewing and reproduction systems that gave us every tiny subtle variation in colour that the human eye can see on a good day in great light. We don’t. Yet. (more…)

Seven things to agree on before taking a commission

© Neil Turner, October 2014. Production of John Foster's Shot At Dawn in the Council Chamber at Bournemouth Town Hall.

© Neil Turner, October 2014. Production of John Foster’s Shot At Dawn in the Council Chamber at Bournemouth Town Hall.

Quite a lot the posts that I’ve uploaded to this blog in the last few months have been related to the business side of photography. For those who want more of the old dg28 – your time is coming soon. In the meantime I wanted to post my thoughts on what you should agree with your client before undertaking a commission. This is taken directly from my own outline terms and conditions which are posted on my website. I have absolutely no objection to any photographer copying and/or adapting these seven points for use in their own terms and conditions because, in my opinion, the more of us who do this the more likely it is that potential clients will be used to the concepts and it will require less pushing to get them to negotiate. (more…)

How many hours in a day?

freelance_definition
Is there anybody out there who would argue against a ‘working day’ being eight hours? Maybe eight hours spread over a nine hour period with an hour for breaks? However you think about it and whatever your opinion actually engaging in work of some sort for eight hours is a good starting point to talk about ‘a day’s work’.

Like a lot of photographers I tend to base my charges based on full or half days combined with the end use of the pictures. A half day with a fully loaded PR license costs more than a whole day for a single use in a newspaper. Half a day that makes it impossible to do any work through the rest of the day isn’t a proper half day and should be charged at a higher rate. It isn’t always easy to explain to inexperienced potential clients but, compared to other charging methods, it is as easy as I can make it. (more…)