It all started with a twinge in the small of my back. The twinge became an ache and the ache became pain. A visit to the Doctor led to some prescription pain killers and a referral to a back-pain clinic two months into the future. Still working at full speed, I lost the feeling in the soles of my feet and had a few cramps. Every day it got a little worse and then, one Sunday morning, I couldn’t get out of bed without crying with the pain. We made our way to the accident & emergency department of the local hospital where an MRI scan confirmed that I was in trouble. They admitted me to hospital and just over a week later I had two operations on my spine.
The operations were three weeks ago today and, although I’m back home, I’m looking at several months before I can even start to think about working as a photographer. I’m on crutches, my rehabilitation is underway and it’s a struggle.
It has to be one of the worst fears of the freelancer – suffering some sort of injury or illness that keeps you from doing your work which in turn means a loss of income and knowing that your clients will have to look elsewhere for someone to provide the services that you have been providing.
All of this devastating news made me want to compose this rather different blog post and my advice comes in two parts:
What to do to avoid and prepare for a sudden, unplanned period of time off
What to do if it happens to you
The message has to be that it can happen to you. One minute you are buzzing around going from job to job and regularly burning the midnight oil to get those edits done, your cashflow is looking good and your clients keep coming back and the next you are laid up with an injury. (more…)
A couple of weeks ago I spent a couple of days helping to teach other photographers to send pictures direct from their Canon EOS 5D MkIVs. Over the last couple of years I have taught dozens of people how to do this and set up a huge number of cameras; mostly Canons ranging from the 5D MkII, MkIII and MkIV to the various EOS1D series models as well as various Nikon D4, D4S and D5 models. It’s not rocket science but it is something that takes a lot of practice before it becomes part of your toolkit.
I use this technology all of the time myself and it was suggested to me that I might like to try my hand at making an instructional video. I have a face for radio and so my two thumbs are making a welcome return to the media (last seen holding a power tool in the 1985 Argos catalogue). You might like to check out this old blog post about why I need to get pictures away quickly too.
In 2008 when I had just left my staff job at TSL I was asked by a reporter working for a photographic magazine about what I intended to do with my career. I pointed out that I had an enormous amount of experience working in schools and universities and that in my time working for the Times Educational Supplement, Times Higher Education Supplement and Nursery World Magazine I had shot pictures in over 3,000 places of learning in at least 13 countries and that it seemed like a “no-brainer” to market myself as a photographer specialising in those areas. Plenty of prospectuses and websites as well as editorial shoots later my tally of educational visits and shoots tops 3,500 and I’m still in love with the genre. The reporter asked what special skills I had that made me good at that part of the job and my response was that if you can’t get great pictures of kids then you really shouldn’t be a photographer because it was “shooting fish in a barrel“. (more…)
I have been cleaning up some of the behind the scenes stuff on my original dg28.com website and got side-tracked looking at some of the old technique posts (again). I really liked this one from July 2003 which was originally entitled “Choosing a Mood”. Anyway, here is the original post cut and pasted:
Every time you take a photograph you are saying something about what is in the image. It’s impossible to avoid a frozen frame being anything other than an interpretation of that moment so it becomes a mark of a good photographer to make sure that every element of the image (composition, subject matter and light) helps to paint a consistent story.
The mood required for every image – especially with portraits – is something that you have to consider very carefully.Some lighting guides will tell you that there is a lighting set up for each mood and that it is a simple matter of placing light A in position B and light C in position D to achieve this. I have to agree that there are some obvious starting points for many of the moods that I use, but there are many other factors that have to be taken into account when setting the scene. (more…)
A graphical breakdown of the types of work that I do these days and where the images end up.
I do quite a few talks and lectures throughout the year and I don’t normally discuss the specifics here on the blog because they are rarely open to a general paying audience. This one is different. The National Union of Journalists here in the United Kingdom invited me to run a couple of one hour workshops at a very interesting event they are running in London this Saturday. Titled “The Photographers’ Summit 2017” the day includes the following:
Improve your videography skills.
Rights & restrictions: how privacy and property laws affect photographers & videographers.
Using copyright law to make sure you don’t get ripped off.
Moving from staff to freelance photographer.
Innovations in photography — 360degree filming and other developments.
New models and ways to make money.
The good news is that you don’t have to be a member of the NUJ to attend and it looks likely to be an interesting day. (more…)
It’s January 2017 and like most photographers I am looking forward to the year with a mix of excitement and trepidation. What kinds of challenging and interesting projects are going to come my way in the next eleven and a half months? How is my work going to develop? Am I going to get enough work to pay the bills? Big questions that add to the roller-coaster of emotions that being freelance brings out.
One of the things that I always try to do is look back at some of last year’s work and compare it to older stuff and try to come up with some thoughts that help me to understand my own style better and to make sure that I don’t get tripped up by the same old mistakes. There’s a question that pops into my head about this time every year and it is one that I think that I am finally happy to answer: (more…)
Whilst I was out shooting some pictures for the EOS5D Mark IV Update I shot a small set of pictures that reminded me that it is almost inevitable that you find interesting human stories whenever you are out shooting pictures. I met and chatted to a former Royal Marine who had donned his green beret and his medals to come along at the eleventh hour to honour one of his relatives – a Royal Marine Musician – who died when the ship he was on, HMS Hood, was sunk in 1941.
A moving gesture from a man who had himself served for over 27 years for a relative and fellow Marine who he had never met.
Mark Tapping who served 27 years in the Royal Marines places a framed photograph of his relative Royal Marine Musician Albert Pike who died when HMS Hood was sunk on the 24th of May 1941 on the memorial. Armistice Day at the War Memorial in Bournemouth 11 November 2016. Bournemouth, United Kingdom. Photo: Neil Turner