When Canon announced the W-E1 wifi adapter for the EOS7D MkII and the EOS5S and 5SR I was decidedly underwhelmed for two reasons;
The first was that it was not backwards compatible with the two EOS5D MkIII bodies that I had at the time.
The second was that it took away the ability to record to two cards when it was in use.
At the time I couldn’t see any advantage over any of the SD based transmitters from Eye-Fi or Toshiba amongst others. I didn’t buy one and I couldn’t see myself buying one either.
Fast forward ten months and my need to use remote cameras controlled by an iOS devices has grown and I only had one – the wonderfully simple Canon EOS6D. I didn’t want to use either of the EOS5D MkIV bodies as a remote and so I bought the W-E1 adapter to use in my EOS7D MkII. (more…)
A few weeks ago I wrote on this blog about the wifi potential of the Canon EOS 5D Mark IV and I have been using three of its functions pretty heavily on jobs over the intervening period. It wasn’t hard to learn all about the system having used a number of different wireless systems over the last three or four years and my first impressions were very favourable. There are definitely one or two changes that I’d like to see Canon make (preferably in a firmware update) but the system has been remarkably stable and reliable. It’s wireless which means that there will be glitches but I’d stick my neck out here and say that this is the best wifi that I’ve used given that 1) it is built-in and 2) doesn’t require any extra gadgets or adapters.
Today is Armistice Day – the anniversary of the eleventh hour of the eleventh day of the eleventh month when the guns finally fell silent at the end of the Great War in 1918. I had no jobs on and so I took myself down to the War Memorial in the centre of the town where I was born to pay my respects and to give the wireless on the Mark IV a real world test that I could actually share with you. (more…)
Getting photographs to the client has always been one of the less glamorous aspects of being a professional photographer. From sticking a pile of prints into an envelope and handing them to a courier to scanning negatives before using clunky slow modems to deliver them right up until today’s relatively painless methods nobody in their right mind would list this part of the process as either satisfying or easy.
The arrival of social media and the realisation amongst better clients that using our work rather than their own smartphone snaps has meant that we have had to speed things up a lot. I’ve always liked Eye-Fi cards but more recently I have been working with clients and with projects where something even more reliable and configurable is required. The worst part of it is that there isn’t actually one simple solution or workflow that will satisfy all of them in all circumstances. For a lot of jobs transferring the pictures from the camera to a smartphone or tablet before captioning and shifting them to the client is quick enough and I’ve written about that workflow before. New software appears all of the time and I am always looking at ways to make things smarter and quicker by introducing some automation and cutting steps out.
As photographers we have got used to using a range of web-based technologies to deliver our work to our clients. Most of the time it works and nobody notices how amazing these technologies are. Over the years we have come to expect more and more in terms of bandwidth and speed and we have come to rely on getting good connections to easily accomplish what would have been regarded as time-sensitive alchemy only a few years ago.
On an overseas job last week the client wanted a lot of high resolution Jpegs delivered to them very quickly and their chosen method was WeTransfer. It’s a very good and reliable system in itself but it depends on a half decent internet connection. Sadly we didn’t get that connection and out of sheer frustration I did these screen grabs:
Yes that’s right: one million, two hundred and one thousand, seven hundred and thirty hours to complete a transfer that should have taken about half an hour on a half decent network. In case you are interested that is fifty thousand and seventy-two days or one hundred and thirty-seven years and sixty-five days. A bit slow. The second screen grab says less than a minute but that was also wildly inaccurate as no further data moved.
In the end I had to abandon the ethernet and wifi networks that the client had arranged for us to use and head outside where I could pick up a great 4G mobile signal by tethering to my iPhone and use my roaming package to send the pictures – which took about 44 minutes (by then I had 1.2Gb of pictures). The point here is that now we have come to reply on the internet for almost all of our image delivery it has become crucial that we have multiple ways of connecting to the internet.
When I was rounding up 2013 I mentioned that I had a lot of success using an Eye-Fi card to wirelessly transmit pictures from my cameras (Canon EOS5D MkIII and Fujifilm X20) to either my iPhone, iPad or laptop where I can do a quick edit and caption before sending them to clients. Inevitably I got a couple of emails using the “ask me anything” feature of this blog asking me to describe my workflow. It is similar between an EOS5D MkIII and the Fujifilm X20 except that the former has twin card slots (one CF compact flash and one SD secure digital) whereas the latter only has the SD slot. I like to shoot RAW which means that in the X20 I have to do an in-camera RAW conversion to create a Jpeg to send out. I have two cards (shown left) – an Eye-Fi branded 8Gb Pro X2 and a Sandisk branded 4Gb one. In practice, they both do much the same job but the orange Eye-Fi one has more options should you want to work differently. Without further ado, here is how it all works on the Canon…
Getting the the settings on the card, your camera and your phone/tablet/computer right is the key to getting everything working well:
Setting up the Eye-Fi card. When you get the card it should come with an SD card reader and by far the best way to set things up is to use that reader to load the card into a computer. There are lots of options that will appear once you have loaded the supplied “Eye-Fi Centre” application. This workflow is all about working in what the manufacturer calls “direct mode”. I choose to only transfer the files I want to my iPhone and so on the card I have selected “Selective Transfer” via the Eye-Fi Centre application. This means that only images that I have protected in the camera menu get transferred. On the Canon I have assigned the “rate” button to protect images for speed. It is also useful to add a couple of wifi networks and to define which file formats to transfer using the application whilst the card is in the computer because it isn’t possible to alter some settings once the card is in the camera. This whole process takes a few minutes and if you get it right, the whole thing test a lot easier from here on in.
Setting up the camera. In the EOS5D MkIII menu there are three things that I’d recommend you do. The first is to assign the “rate” button to protect selected images. The second is to get the camera to write RAW files to the CF card and medium size Jpegs to the SD (Eye-Fi) card. Finally, you need to enable Eye-Fi transfer from the camera menu. This way you can use the review function with card 2 (the SD slot) and then every time you protect an image written to the Eye-Fi card it will automatically look to transfer that file to the device you have nominated.
The receiving device. I use an iPhone and an iPad and the whole process is eventually controlled by the free app that Eye-Fi make available through the Apple App Store. There are equally useful apps available for Android powered devices and the functionality is pretty much identical. Apart from loading the app the only other thing you have to do is to download and authorise a small change to your wifi settings on your phone which simply installs the settings for the direct mode to work. Once you launch the app you get an opening window which then gives way to the gallery window which in turn tells you what is happening about transfers. Below you can see the card paring screen and the gallery screen.
Editing your pictures. Once you have the image on your phone or tablet you can then use the apps of your choice to edit and caption your image before shifting them on. My personal favourite is Photogene4 which has some good image options such as clarity, contrast, saturation, straighten, crop, sharpen and the ability to add IPTC captions – including defaults such as the EXIF time day and date as well as any pre-loaded captions and copyright information. I find that it’s a good idea to write some generic captions using Apple’s Notes app and then copy and paste them into Photogene4. The app also has the option to upload to a wide range of sharing sites as well as to email and ransomer images to FTP servers – making it really useful for work. From shooting a frame to having it uploaded to my own FTP server normally takes twenty to thirty seconds if there is a good phone signal and the various uses that I’ve found for this rapid upload range from offering images to people I’ve photographed to providing almost instant pictures for corporate clients to use for their Facebook, Instagram and Twitter feeds at events. This is a very versatile piece of kit and I haven’t even come close to describing everything that it can do. I like the way that this workflow actually does flow and I love the effect that it has had on a couple of clients who really appreciate what it offers them. My first Eye-Fi card was £24.99 including VAT – possibly the best investment that I’ve ever made!