The Phottix 70cm collapsible beauty dish, adapted to fit an Elinchrom Ranger Quadra head.
Everyone knows about the fetish for camera bags shared by most photographers and anyone who has read this blog will know about my own personal one for card readers but there is a third one that has been exercising me of late. I have mentioned it quite a few times over the years and a particular need to have a repeatable set up has led me down this particular equipment rabbit hole once again.
I’m talking about lighting. I’m talking specifically about light modifiers. Those umbrellas, snoots, dishes, soft boxes and hybrid gadgets that you place on the fronts of your flash units in order to control and improve the light. (more…)
It’s January 2017 and like most photographers I am looking forward to the year with a mix of excitement and trepidation. What kinds of challenging and interesting projects are going to come my way in the next eleven and a half months? How is my work going to develop? Am I going to get enough work to pay the bills? Big questions that add to the roller-coaster of emotions that being freelance brings out.
One of the things that I always try to do is look back at some of last year’s work and compare it to older stuff and try to come up with some thoughts that help me to understand my own style better and to make sure that I don’t get tripped up by the same old mistakes. There’s a question that pops into my head about this time every year and it is one that I think that I am finally happy to answer: (more…)
When you try to explain concepts in photography to someone who isn’t deeply embedded in the art/craft/science/passion it makes sense to find something else top compare it to. My favourite comparisons are driving, cooking and sport.
Driving is something most of us do and, on the whole, we do it without having to think too much about the basics. I’ve talked about it before so I’ll quickly recap my thoughts:
Changing gear, using the indicators, knowing when to use windscreen wipers and headlights are all pretty much done on auto-pilot whilst we think more consciously about road awareness, speeds, traffic, navigation and much else besides. The comparison to photography is an easy one to make because there are basic controls that we like to think are second nature; exposure, focusing, making sure we have memory cards and batteries whilst composition and anticipating things happening in front of your camera (and often off to the side and behind you) are things that require more conscious thought.
Tempting though it is to continue stretching the analogy I want to move onto cooking. (more…)
Members of the AELTC Photography team heading home after another log day. AELTC/Neil Turner
I was about to sit down and write a blog post about the last four weeks of my life – three and a bit of which were spent underneath Court 14 at Wimbledon – when I realised that I had written the self-same post this time last year. Instead I thought that I’d tackle the subject that causes me the most work and the most angst when I am working as an editor; IPTC captions. For those who don’t know or whose photography doesn’t involve writing them, IPTC (the International Photo Telecommunications Council) captions are the standard for adding the details in words describing the “where, when, who, what and why” of the image almost universally used in our industry. It is a form of metadata added after taking the pictures – although if you are smart and use the right software, quite a bit of it can be drawn automatically from the camera’s own EXIF metadata.
This has already turned into a geek-fest. I apologise to those who want to read about technique and kit but without good metadata, finding the right pictures in amongst tens and hundreds of thousands of others becomes a chore and can become almost impossible. (more…)
I wrote a long blog post about this time last year talking about the choice between three of Canon’s full-frame DSLR cameras. At that stage in my work I couldn’t imagine buying another crop frame camera after selling my original EOS7D and giving my opinion of it as “loving everything about the camera apart from the image quality above 800 ISO”. Well, hold the front page – the EOS7D Mk II can handle ISOs a fair bit higher than 800.
Cropped area of approximately a frame shot at 3200 ISO blown up to 100%
In the frame above shot at 3200 ISO you can see some noise in the out of focus areas but it isn’t nasty and it isn’t overwhelming. In the sample shot under ‘press conference’ conditions at 1600 ISO I think that the camera performed brilliantly. I would say that the MkII is at least two stops better in low light than the original 7D and maybe a bit more under certain lighting conditions and those two stops are the difference between a camera that is very usable as an every day available light camera and one that isn’t.
So far I have been delighted with it. I’ve used it on ten assignments already and it is rapidly becoming one of those things that goes into the bag first. (more…)
A week ago I was shocked when the lovely folks at Castle Cameras here in Bournemouth got in touch to let me know that I’d won a new camera in a Sony competition that they were running on their Flickr site. I had completely forgotten that I had entered and when they told me to come and collect my shiny new Sony Cybershot RX1 I popped up later that afternoon. I spent most of the rest of that day playing with the camera and (shock horror) reading the instruction manual. I checked out what “the internet” had to say about the camera and stuck it in my bag determined to give it a proper outing at the first opportunity. You can see the winning picture here.
The weather hasn’t been great and I have been a bit busy with the day job and so it took a full six days before I got a proper chance to take some pictures. I happened to be in London with about three hours to kill yesterday and even though the weather was poor I was determined to have a wander and see whether I could get to grips with the RX1. I don’t really write full-on product reviews because there are other people that do it so much better than I can and this particular model Sony has been around for quite a while. It is, however, a very close contemporary of my beloved Fujifilm X100S and I was keen to find out whether the Sony could do two things: (more…)
Question:Why are so many professional photographers using mirrorless cameras, micro 4/3rds format cameras and experimenting with pretty much anything that isn’t a DSLR?
It’s a tough question and without conducting some sort of major survey I can only give an answer based on my own experiences and those of close friends and colleagues. DSLRs have been my main cameras for over sixteen years now and they have become an extension of me when I’m working. They do what I need them to do with no real fuss, the quality has moved from “acceptable” back in 1998 to “extremely good” and they allow me to do the day job without having to worry about my gear very much. But, and there’s always a ‘but’ – they have become a little bit boring and little bit ‘too good’.