Welcome to the third instalment of my investigation of the best iPad workflow for the kind of work that I do. At the end of part two I came to the conclusion that adding images wirelessly to the iPad (or an iPhone) was the best way to go for me and in the few days since I made that observation I have largely moved towards using FSN Pro to get the pictures to where I need them to be.
I mentioned several times in part two that I wanted, wherever possible, to avoid storing anything in the Apple Photos app without explaining why I am so keen to avoid it. The simple answer is that my normal workflow for several clients involves keeping the original camera filenames intact so that it is possible to follow up at a later date and find them again without having to spend any time looking. Why Apple are so keen to rename every file with the clumsy “img_1234” formula is beyond me. I guess that it must make what goes on inside iOS easier for Apple – if not for photographers. By avoiding the app it is entirely possible to retain the original filename from start to finish. Don’t get me wrong; if I was rushing and getting a couple of quick edits away to a client then I’d happily rename files and/or settle for the img_xxxx option but when there are five, six or more photographs going through then renaming becomes a pain. (more…)
Lily Partridge of Aldershot Farnham and District crosses the line to win the women’s race. The Vitality London 10,000, Monday 30th May 2016. Photo: Neil Turner/Silverhub for Vitality London 10,000
Whenever you read about a camera the reviewer has usually had it in their hands for a few days and taken a few hundred frames with it. I’ve done it myself with all sorts of kit and I find it interesting that one of my most popular blogs (a review of the original Elinchrom Ranger Quadra) was written when I had been using the kit for 32 months. As luck would have it I have been using Canon’s EOS5D MkIIIs for 32 months now and as the announcement of it’s widely leaked successor is only a week away I thought that now would be an excellent time to blog about my long-term opinion of these interesting cameras.
By the time my first MkIII arrived I had been shooting for almost five years with its predecessor – the Canon EOS5D MkIIs. I had grown to love the MkII despite its many quirks and faults and I knew them inside out and backwards. I had owned three of them at various times (never fewer than two) and had shot somewhere near half a million frames with them. In some professional circles that would qualify as barely worn in (more…)
A few weeks ago I bought some more Elinchrom Ranger Quadra kit and after a short while lugging my gear around in multiple bags and cases I decided that it was time to get myself one big case to take most or all of my Quadra gear. My rationale was that I am pulling one bag on wheels and carrying two or three others so why not make it one on wheels with the lighting and one smaller bag with cameras and lenses riding on top of it or over my shoulder as required? There’s quite a bit of choice on the market but all of my experience with Think Tank bags told me to start my search there. They make lots of rolling bags but only three specifically designed to lug large amounts of kit. My benchmark was that I had to be able to get at least two of my Manfrotto 156 stands plus a couple of Manfrotto 001s in there along with two or three packs, three or four heads, spare batteries, cables, light modifiers and plenty of accessories.
I had previously seen a colleagues Location Manager 40 case and so I wanted to check out the Logistics Manager 30 because on paper it appeared to be just about perfect. The internal dimensions were listed at 70cm length. (more…)
There cannot be many photographers out there who don’t own at least one Pelican Case. The super tough plastic boxes (often on wheels) that a lot of our gear travels in are superbly designed, brilliantly made and as tough as old boots. I have three of them and another photographer swapped the standard hard wheels on my 1510 case for some softer rubber ones a couple of years ago and the absence of grating hard wheeled noises was a revelation. I find myself using my 1560 case a lot more these days and so it was time that got the ‘old soft wheel shuffle’ too.
I’ve read a lot about the ‘instagramisation’ of photography. I think that means taking slightly dull images, applying filters and presets to them and presenting them as bits of creativity. At the right time and in the right place those kinds of pictures have value and can make significant additions to creative campaigns and can go a long way towards making some elements of social media and social marketing more visually interesting. I’m not talking about that here – this blog post is all about choosing between making decisions about individual pictures or letting technology take over and ‘improve’ your work for you.
If you are on Facebook or any other social media that has targeted advertising you will probably get as many ‘suggestions’ as I do for people selling magical presets or add-ons to make my pictures instantly better. That’s great – or at least it would be if I wanted all of my images to exhibit a sameness with each other and with those of so many others. Trying to reduce professional post-production down to a series of mouse-clicks using algorithms and actions developed for others isn’t, in my opinion, a very good idea. (more…)
I was on a job the other day, standing next to a very young photographer in a ‘press pen’. He glanced over at the gear I was using and mentioned how much he would love to own the 135mm f2L lens that I had on one of my cameras. He said that he had never really got the hang of “zooming with his feet” in the way that so many of the photographers he admired had advised. He had also had it drummed into him by one of his tutors at college and it had left him wondering if he was doing something wrong.
Zooming with your feet is a great concept and it is one of the catchphrases in contemporary photography that appears to be beyond question. But is it? Is it actually as much a cliche as a universal truth?
There we were on a job where we couldn’t have zoomed with our feet even if either of us had the skills to do so. We couldn’t go forward – there was a metal barrier in the way. We couldn’t go backwards because there were other photographers and a couple of TV crews behind us – and behind them was another barrier. We had a tiny amount of sideways movement if we could change places with each other but, apart from that, we were in a very fixed position. (more…)
Ever since I shot my first roll of black and white film back when I was teenager I have been striving to master the art/science/alchemy of good monochrome. Many of my early photographic heroes were all brilliant in black and white and my own struggle with getting close to being good at it is a subject that I have blogged about before. Over the last two years I have become much better at it and I thought that I’d show a series of images here that demonstrate how I go from an original colour picture to a toned monochrome. I sometimes use Tonality for my conversions but this one was done in Photoshop CC. (more…)